Lucian Freud After Cézanne 1999-2000. Oil on canvas, 214.0 x 215.0 cm (irregular). National Gallery of Australia. Purchased with the assistance of Members of the National Gallery of Australia Foundation, including David Coe, Harold Mitchell AO, Bevelly Mitchell, John Schaeffer and Kerry Stokes AO 2001 more detail
Lucian Freuds After Cézanne is a paraphrase or variation on the theme of Paul Cézannes Afternoon in Naples. The few paraphrase paintings in Freuds output represent in-depth examinations of the work of certain great artists with whom he wishes to enter into dialogue. Although After Cézanne is related to Afternoon in Naples, Freud said the pictures are more akin to cousins. They differ in their scale and painterly treatment and in the emphasis placed on figures and objects. Freuds painting is a very contemporary one, in which he explores issues of dependence and independence, sexual engagement and ambivalence, alienation and loneliness.
Freud operates a system of day pictures and night pictures, depending on when the models are available to sit for him and whether there is daylight or artificial light. After Cézanne was Freuds principal day picture which he painted in nine months from December 1999 to August 2000.
Freud worked the painting out on the canvas, first in charcoal and then in paint. He initially had a large rectangular canvas, but added a small section to accommodate the upper half of the maid servants figure.