DETAIL : COLOGNE SCHOOL Germany Virgin and Child with Saints [Triptych of the Virgin and Child with Saints (left panel) Virgin and Child with Saints (left panel)]
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454 works found | displaying 1 to 20 Page 1 of 23 | 1 2 3 4 5 6 7 8 9 10  
attributed to the GOULANDRIS MASTER | Female figure | c.2700 BC- 2300 BC
Jacopo di CIONE | Madonna and Child enthroned with Saints | 1367
Artist unknown  | Book of Hours (Sarum use) | mid-15th century
Matteo de' PASTI | Portrait of Sigismondo Pandolfo Malatesta (obverse); Fortitude, seated on two elephants (reverse) | c.1449-55
Antonio PISANELLO | Portrait of Niccolò Piccinino, condottiere (obverse); She-griffin of Perugia suckling children (reverse) | c.1440-41
Giovanni di PAOLO | Crucifixion with donor Jacopo di Bartolomeo | c.1455
Matteo de' PASTI | Portrait of Isotta degli Atti (obverse); Malatesta elephant (reverse) | c.1453-54
Artist unknown  | Pietà | c.1470
Artist unknown  | Madonna dell'Umilità [Madonna of Humility] | c.1470
 Master of the Marble Madonnas | Madonna and Child | c.1480
attributed to Niccolò FIORENTINO | Portrait of Lodovico Luti of Siena (obverse); Fortune with sail on a dolphin, watched by ermine (reverse) | c.1498
attributed to MODERNO | The fall of Phaeton, or The death of Hippolytus | c.1515
 COLOGNE SCHOOL | Virgin and Child with Saints | c.1510-20
attributed to Benvenuto CELLINI | Portrait of Cardinal Pietro Bembo (obverse); Pegasus on the fountain Hippocrene (reverse) | c.1539
Apollonio de' BONFRATELLI | Pietà (recto); Script and music (verso) | c.1545
Jacopo da TREZZO | Portrait of Gianello della Torre of Cremona (obverse); Fountain of the Sciences (reverse) | 1548?
Antonio ABONDIO | Portrait of Faustina Romana (obverse); Leda and the swan (reverse) | 1550s
 GIAMBOLOGNA | Angel | 1596
Peter Paul RUBENS | Self-portrait | 1623
Peter Paul RUBENS | Sketch for The triumphal entry of Henry IV into Paris, 22 May 1594 | 1628
Introduction

The National Gallery of Australia began to collect European and American painting and sculpture in the 1970s. At this time it became clear that the Gallery's mission would be to show works of art from all the cultures of the world, not only that of European Australians, Europe being the continent from which most immigrants have come to Australia. The collection includes works from every continent, concentrating on the cultures that underpin contemporary life, those of the nineteenth and twentieth centuries.

In 1992 the Gallery published a catalogue written by Michael Lloyd and Michael Desmond, European and American Paintings and Sculptures 1870-1970 in the Australian National Gallery. The catalogue is now available here.

In October 2002, twenty years after its doors opened to the public in 1982, the Gallery is publishing more of its collections of 430 paintings and sculptures made by European and American artists on its website. It will be possible to examine all these holdings, from a handful of examples of the art of ancient Greece and Renaissance Italy to many works of art made in the last decades.

Subject to copyright permission, photographic reproductions of the paintings and sculptures accompany all the catalogue details of the National Gallery's works: the artist's name, country, dates of birth and death, the title and date of the painting or sculpture, its medium, size, any inscriptions, and the provenance (or known history of ownership). Many of the catalogue entries include exhibition histories, particular literature, and a discussion of the meaning and context of the work.

European or American?
For ease of reference, the catalogue is divided into European and American categories. Any artists who have made art in both continents, such as Man Ray, Marcel Duchamp, Mary Kelly or David Hockney, are included in both catalogues.

How to read the catalogues:
b&w = black-and-white
c. = centre
c.l. = centre left
c.r. = centre right
illus. = illustrated
inscribed = extra information written on the work by the artist
l.c. = lower centre
l.l. = lower left
l.r. = lower right
obverse = on the head or portrait side of a medal
recto = on the side of the work's support facing the viewer
reverse = on the thematic side of a medal, as in 'tails' for a coin
u.c. = upper centre
u.l. = upper left
u.r. = upper right
verso = on the reverse side of the work's support, usually canvas or paper

Introduction | American Art | European Art | Provenance Research