Robert Rauschenberg (born 1925) was enticed to work at Gemini GEL in 1966. For Rauschenberg, Tyler’s promise that scale was not a problem was assurance enough. He decided to make a life–sized self–portrait—an X–ray in the nude except for a pair of large boots. This X–ray became the key element for the print Booster of 1967. Its groundbreaking size required the use of two lithographic stones placed in the press one after the other, with the paper run through twice to complete the image.

Booster remains one of the most significant prints made in the 20th century, helping to take printmaking into a new era in which prints were to rival paintings in invention and size.
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Further information will be added to this site as the National Gallery proceeds with its research and documentation.

Last updated November 2014