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Training
Diploma of Art (Gold and Silversmithing), 1969 and Master of Arts, 1995,
Royal Melbourne Institute of Technology, Melbourne, Vic., 1969; Fachhochschule
für Gestaltung, Pforzheim, Germany, 1971-72.
Related professional experience
Lecturer, Gold and Silversmithing, Charles Sturt University, Wagga Wagga,
NSW, 1973-75; Lecturer, Gold and Silversmithing, Royal Melbourne Institute
of Technology, Melbourne, Vic., 1987-97; Lecturer and Studio Coordinator,
Metals/Jewellery, Faculty of Art and Design, Monash University, Melbourne,
Vic., 1997-present.
Selected solo exhibitions
Recent Work, Makers Mark, Melbourne, Vic., 1979; Standfield Gallery, Melbourne,
Vic., 1989; Contemporary Jewellery Gallery, Sydney, NSW, 1989; Gray Street
Gallery, Adelaide, SA, 1990; Gallery Funaki, Melbourne, Vic., 1996; Pattern,
Perception, Crawford Gallery, Sydney, NSW, 1996; People, Patterns, Place,
Gippsland Regional Art Gallery, Sale, Vic., 1997; Intimate Variations,
Gallery Funaki, Melbourne, Vic., 1998; Haku-Box, Sara-Plate, Matsuya Ginza,
Tokyo, Japan, 1999; Scattered Similarities, Gallery Funaki, Melbourne,
Vic. and Object Galleries, Sydney, NSW, 2001.
Selected group exhibitions since 1992
Australian Contemporary Design in Jewish Ceremony, Jewish Museum of Australia,
Melbourne, Vic., 1991-92; Australian Contemporary Hollow Ware, Australian
Exhibitions Touring Agency, travelling in Australia, Indonesia, Korea,
The Philippines and USA, 1991-93; Market, Kitsch and Cultural Production,
Craft Victoria, Melbourne, Vic., 1993; Metalgefasse, Form and Function,
Wechselspeil, Germany, 1993; Australia Gold: Contemporary Australian jewellery
and metalwork, Asialink/Royal Melbourne Institute of Technology, travelling
in Australia, Indonesia, Japan, Korea, Malaysia, The Philippines and Singapore,
1993; Production/Reproduction, Gallery 101, Melbourne, Vic., 1995; Five
Contemporary Jewellers, Studio COM, Kyoto, Japan, 1997; Contemporary Vessels
and Jewels: Australian fine metalwork, Queensland Art Gallery, Brisbane,
Qld, 1997; Cecily and Colin Rigg Craft Award, National Gallery of Victoria,
Melbourne, Vic., 1997; Seven Contemporary Jewellers From Four Countries,
Craft A, Ishikawa, Japan, 1998; Circles About the Body, Plimsoll Gallery,
University of Tasmania, Hobart, Tas., 1998; 12th Silver Triennial, Deutsches
Goldschmiedehaus, Hanau, Germany, 1998; 6th Ernest Levigny Exhibition,
Buda, Castlemaine, Vic., 1999; Drawn in Form, Object Galleries, Sydney,
NSW, 1999; Metal Element III: Japan, Korea, Australia, International Design
Center, Nagoya, Japan, 1999 and Australian Embassy, Tokyo, Japan, 2000;
Skill, Craft Victoria, Melbourne, Vic., 1999; Ways of Working: Contemporary
objects and jewellery from Japan, Korea and Australia, Faculty Gallery,
Monash University, Melbourne, Vic., 2000; Australian Silversmithing, Victoria
and Albert Museum, London, UK, 2000; Australia 2000, Lesley Craze Gallery,
London, UK, 2000; National Jewellery Award, Griffith Regional Art Gallery,
Griffith, NSW, 2000; Metal Element of Five Countries, International Design
Center, Nagoya, Japan, 2001; Micromegas, Galerie für Angewandte Kunst,
Bayerischer Kunstgewerbe-Verein, Munich, Germany, 2001; Chongju International
Craft Biennale, Chongju, South Korea, 2001.
Public collections (Australia)
City of Banyule Art Collection, Banyule, Vic.; Griffith Regional Gallery,
Griffith, NSW; Hamilton Art Gallery, Hamilton, Vic.; National Gallery
of Australia, Canberra, ACT; National Gallery of Victoria, Melbourne,
Vic.; Powerhouse Museum, Sydney, NSW; Queen Victoria Museum and Art Gallery,
Launceston, Tas.; Queensland Art Gallery, Brisbane, Qld.; Sale Regional
Art Gallery, Sale, Vic.; Victorian State Craft Collection, Melbourne,
Vic.
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