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Shim
Shim
Shim

Klaus Moje

Shim
Shim
Shim

Training
Journeyman's Certificate, glass cutter and grinder in Moje family workshop, Hamburg, Germany, 1952-55; Master's Certificate, Rheinbach and Hadamar Glass Schools, Germany, 1957-59.

Related professional experience

Founding Head of Glass Workshop, Canberra School of Art, Australian National University, Canberra, ACT, 1982-92; Australia Council Emeritus Fellowship Award, 2001.

Selected solo exhibitions since 1991
Klaus Moje/Dale Chihuly, The Glasmuseum, Ebeltoft, Denmark, 1991; Contemporary Art Niki, Tokyo, Japan, 1992; Chicago International New Art Forms Exposition, Navy Pier, Chicago, IL, USA (Habatat Galleries), 1993; Composition Gallery, San Francisco, USA, 1994; Klaus Moje Glass: A retrospective exhibition, National Gallery of Victoria, Melbourne, Vic.; Powerhouse Museum, Sydney, NSW; Canberra School of Art Gallery, Canberra, ACT; Museum für Kunst und Gewerbe, Hamburg, Germany; Charles A. Wustum Museum of Fine Arts, Racine, WI, USA, 1995; Seattle Art Fair (Ruth Summers Gallery), Seattle, USA, 1996; Craft ACT Gallery, Canberra ACT, 1997; Axia Modern Art, Melbourne, Vic., 1998; SOFA New York, New York, USA (Bullseye Connection Gallery), 2000; The Glass World of Klaus Moje, Hsinchu Municipal Glass Museum, Hsinchu, Taiwan, 2001.

Selected group exhibitions since 1992

A Decade of Studio Glass, Morris Museum, New Jersey, NJ, USA, 1992; Australian Crafts: New works 1988-92, Powerhouse Museum, Sydney, NSW, 1992; Design Visions: Australian International Crafts Triennial, Art Gallery of Western Australia, Perth, WA, 1992; International Kiln-formed Glass, Bullseye Connection Gallery, Portland OR, USA, 1992; Art in Glass 96, Editions Galleries, Melbourne, Vic., 1996; International Contemporary Glass, Hsinchu Cultural Centre, Hsinchu, Taiwan, 1996; Venezia Aperto Vetro, Venice, Italy, 1996; International Survey of Contemporary Glass, Concept Art Gallery, Pittsburgh, PA, USA, 1996; Drawing on the Diaphanous, Michael Nagy Fine Art, Sydney, NSW, 1997; From Venice to Ebeltoft, Glasmuseum, Ebeltoft, Denmark, 1997; Arte en Vidrio, Museo del Vidrio, Monterrey, Mexico, 1997; Via Venedig till Varberg, Varberg, Sweden, 1997; The Language of Glass, Art Gallery of Western Australia, Perth, WA, 1997; Gallery Enomoto, Osaka, Japan, 1998; Latitudes: Bullseye glass in Australia, Gallery Himawari, Seto, Japan; travelling exhibition, 1998; Masters of Australian Glass, Quadrivium Gallery, Sydney, NSW, 1998; Venezia Aperto Vetro 1998: International New Glass, 5 sites in Venice, Italy, 1998; Chongju International Craft Biennale '99, Chongju, South Korea, 1999; Contemporary Australian Craft, Hokkaido Museum of Modern Art, Sapporo, Japan; travelling exhibition,1999; Meister der Moderne, International Crafts Fair, Munich,
Germany, 1999; National Craft Award, Melbourne, Vic., 1999; At the Edge: Australian glass art, Brisbane City Gallery, Brisbane, Qld; Object Galleries, Sydney, NSW; Galerie Handwerk, Munich, Germany; National Glass Centre, Sunderland, UK, 2000; Australian Crafts: New works 1988-1992, Powerhouse Museum, Sydney, NSW, 2000; Colonial to Contemporary: A decade of collecting Australian decorative arts and design, Powerhouse Museum, Sydney, NSW, 2000; Defining Craft, American Craft Museum, New York, USA, 2000; Shattering Perceptions, Dennos Museum Centre, Traverse City, Michigan, USA; Museo Del Vitro, Monterrey, Mexico, 2000; Exempla, International Craft Fair, Munich, Germany, 2001; Transparent Things: Expressions in glass, National Gallery of Australia Travelling Exhibition, Wagga Wagga Regional Art Gallery, Wagga Wagga, NSW, 2001; Facets of Australian Glass, Leo Kaplan Modern, New York, NY, USA, 2002.

Public collections (Australia)
Art Gallery of South Australia, Adelaide, SA; Art Gallery of Western Australia, Perth, WA; National Gallery of Australia, Canberra, ACT; National Gallery of Victoria, Melbourne, Vic.; Parliament House, Canberra, ACT; Powerhouse Museum, Sydney, NSW; Queensland Art Gallery, Brisbane, Qld; Wagga Wagga Regional Art Gallery, Wagga Wagga, NSW.

Public collections (international)
American Craft Museum, New York, NY, USA; Auckland Museum, Auckland, New Zealand; Badisches Landesmuseum, Karlsruhe, Germany; Bayerischer Kunstgewerbe-Verein, Munich, Germany; Carnegie Mellon Museum, Pittsburgh, PA, USA; Cooper Hewitt Museum, Smithsonian Institution, New York, USA; Corning Museum of Glass, Corning, NY, USA; Detroit Institute of Art, Detroit, MI, USA; Fine Arts Museum of San Francisco, CA,USA; Glasmuseum Frauenau, Frauenau, Germany; Grassi Museum, Leipzig, Germany; Hokkaido Museum of Modern Art, Sapporo, Japan; Kestnermuseum, Hannover, Germany; Kunstgewerbemuseum, Darmstadt, Germany; Kunstgewerbemuseum, Berlin, Germany; Kunstmuseum Düsseldorf im Ehrenhof, Düsseldorf, Germany; Kunstsammlungen der Veste Coburg, Coburg, Germany; Landesmuseum Oldenburg, Oldenburg, Germany; Landesmuseum Schleswig Holstein, Schleswig, Germany; Los Angeles County Museum of Art, Los Angeles, CA, USA; Metropolitan Museum of Art, New York, NY, USA; Minneapolis Museum of Art, Minneapolis, USA; Mint Museum of Art/Craft + Design, Charlotte, NC, USA; Musée des Arts Décoratifs, Lausanne, Switzerland; Museum für Angewandte Kunst, Cologne, Germany; Museum Bellerive, Zurich, Switzerland; Museum für Angewandte Kunst, Frankfurt, Germany; Museum für Kunst und Gewerbe, Hamburg, Germany; Royal Scottish Museum, Edinburgh, UK; Shimonoseki City Art Museum, Shimonoseki, Japan; The Glasmuseum, Ebeltoft, Denmark; Toledo Museum of Art, Toledo, OH, USA; University of Wisconsin, Madison, WI, USA; Victoria and Albert Museum , London, UK; Württemburgisches Landesmuseum, Stuttgart, Germany.