Translucency
Artist MOJE, Klaus
Birth 1936, Hamburg, Germany
   
Title Uriarra
Date 1985
Place Canberra, Australian Capital Territory
Medium fused and ground mosaic glass
Dims 6.2 x 57.4 x 44.3 cm
Collection National Gallery of Australia
Creditline Purchased from Gallery admission charges 1988
AccNo 88.1987
 

Klaus Moje is a leading international figure in glass who, since his arrival in Australia, has been highly influential on the development of studio glass. As a teacher and mentor, he has encouraged a new generation of Australian glass artists to explore the possibilities of kiln-forming.

Moje's work in fused mosaic glass, while drawing upon ancient European traditions, is a celebration of modernity, change and inclusiveness. The combination of the visual and technical language of mosaic with the glass-carving and engraving traditions of his native northern Germany has shaped Moje's approach to structure and surface. His expressive and intensely coloured and structured geometric work is a reflection of his visual explorations into the patterns of the underwater world, the landscape and the sky.

The shield-like form and crosshatched decoration allude to Aboriginal carving, but this work also reflects Moje's interest in the particular visual organisation of Australian indigenous art.

 

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click images to enlarge
Vista #96,  BETTISON, Giles; 2000
Macchia with drawing,  CHIHULY, Dale; 1984
Scene 1994,  IKEMOTO, Kazumi; 1994
i sing, of time tide,  KNOTTENBELT, Robert; 1992, Funded by Visual Arts/Craft Board, Australia Council
'Eucalyptus' vase,  LALIQUE, René; RENÉ LALIQUE & CIE, ; design: 1925, manufactured until 1947
Neckpiece,  MINSON, James; 1989
Uriarra,  MOJE, Klaus; 1985, Purchased from Gallery admission charges 1988
Double Gatherer,  PROCTER, Stephen; 1995
Puka Vase,  ROBINSON, Ann; 2000, Funded by the Thomas Foundation
Crystal Clarity | Coloured Clarity | Inner Worlds | Translucency | Opaque Counterpoint |
 
Uriarra,  MOJE, Klaus; 1985, Purchased from Gallery admission charges 1988