The Elaine and Jim Wolfensohn gift
Travelling exhibitions | Introduction | Blue case | Red case | Yellow case | Melbourne Cup
In 1988 Jim Wolfensohn (the Australian-born former president of the World Bank) generously donated funds to enable the National Gallery of Australia to buy museum-quality works of art to travel Australia as part of a unique exhibition program. In this program, a wide range of audiences, including those living with disability, are able to experience art first-hand in a compelling way.
The Elaine and Jim Wolfensohn Gift comprises three art-filled suitcases and the 1888 Melbourne Cup. They have travelled to schools, libraries, community centres, regional galleries and nursing homes since their development in 1990. In this way, the Gift is enjoyed by both children and adults in remote, regional and metropolitan centres across Australia. This distinctive travelling exhibition has a strong educational function. The valuable artworks have been carefully selected to be both interesting and resilient; so that they can be handled and enjoyed by young and old for many years to come.
The Elaine and Jim Wolfensohn Gift is a project that is at the heart of the Gallery’s Travelling Exhibitions program. The Gallery is delighted to continue to provide such a distinctive art experience to the Australian community and is grateful for the generosity of Elaine and Jim Wolfensohn.
The Red Case, Myths and rituals, is filled with works that draw upon beliefs and symbols from different countries around the world — India, China, Africa and Australia. These works range from a ceremonial teapot to an Ankus (elephant goad) and are created out of a range of media, including bronze, wood and pearl shell. The red and yellow suitcase kits tour together.
- Kangaroo Island Community Centre, Kangaroo Island SA,
20 February – 26 March 2013 - Murray Bridge Art Gallery, Murray Bridge SA,
27 March – 29 April 2013 - Wilderness School, Walkerville SA,
30 April – 20 May 2013 - Mercedes College, Springfield SA,
21 May – June 2013 - Bay Discovery Centre, City of Holdfast Bay, Glenelg SA,
18 June – 15 July 2013 - Quirindi Public School, Quirindi NSW,
19 July – 14 August 2013 - Lindsay Gardens Aged Care Facility, Hamilton NSW,
14 August – 18 September 2013 - Muscular Dystrophy NSW, Meadowbank NSW,
19 September – 3 October 2013 - Adventist Aged Care, Kings Langley NSW,
3 October – 5 November 2013
Unknown artist 'Seated Ganesha' 9th—10th century, bronze, National Gallery of Australia, Canberra
Yellow case: form, space & design
The Yellow Case, Form, space, design, presents a mixture of concepts that show great humour and originality. Neil Roberts’ small bronze sculpture The space inside my fist captures the invisible space between the fingers and palm when made into a fist; Ian Howard’s darkly comedic The arms of the people highlight’s the artist’s concerns about war; other items include Mary Oliver’s music sticks and David Wallace’s bush toys of stockmen on horses from Santa Teresa near Alice Springs. The red and yellow suitcase kits tour together.
- Kangaroo Island Community Centre, Kangaroo Island SA,
20 February – 26 March 2013 - Murray Bridge Art Gallery, Murray Bridge SA,
27 March – 29 April 2013 - Wilderness School, Walkerville SA,
30 April – 20 May 2013 - Mercedes College, Springfield SA,
21 May – June 2013 - Bay Discovery Centre, City of Holdfast Bay, Glenelg SA,
18 June – 15 July 2013 - Quirindi Public School, Quirindi NSW,
19 July – 14 August 2013 - Lindsay Gardens Aged Care Facility, Hamilton NSW,
14 August – 18 September 2013 - Muscular Dystrophy NSW, Meadowbank NSW,
19 September – 3 October 2013 - Adventist Aged Care, Kings Langley NSW,
3 October – 5 November 2013
John Edgar 'Red Eye' 1993, greywacke stone, glass National Gallery of Australia, Canberra
The Blue Case, Technology, showcases the works of six contemporary Australian artists and designers. The works focus on function, innovative design and construction and include Lionel Bawden’s lateral pencil constructions to create a multifaceted brain; Matthew Harding’s exquisitely carved, heart-shaped pill box; and Cinnamon Lee’s playful palm light. By employing a wealth of skills and ideas, the artists have created works of art that compel people to explore the objects, and share the experience with one another.
- Orana Arts, Dubbo NSW,
6 February – 25 March 2013 - Artspace Mackay, Mackay QLD,
27 March – 15 April 2013 - Cairns Regional Gallery, Cairns QLD,
17 April – 21 May 2013 - Lake Macquarie City Art Gallery, Booragal NSW,
24 May– 17 June 2013 - Shellharbour Council Exhibition Space, Shellharbour NSW,
18 June – 18 July 2013 - Woden School, Deakin ACT,
24 July – 14 August 2013 - Tasmania Museum and Art Gallery, Hobart Tas.,
21 August – 25 September 2013 - Burnie Regional Art Gallery, Burnie Tas.,
27 September – 24 October 2013 - Riverina Regional Library, Wagga NSW,
29 October – 25 November 2013
Emily O’Brien 'Hair Chairs (1)' 2004, anodised aluminium, National Gallery of Australia, Canberra
The 1888 Melbourne Cup trophy or ‘Centennial Cup’ features three magnificent horses and was made to celebrate 100 years of British settlement in Australia. The Cup was created by Elkington & Co, a silver working firm based in London. The base of the 1888 cup is electroplate, while the horses on the top have been cast in solid silver.
- National Sports Museum, Richmond Vic.,
15 January – 16 September 2013 - Mornington Peninsula Regional Gallery, Mornington Vic.,
19 September – 26 November 2013
Elkington & Co. 'The 1888 Melbourne Cup' 1887, maker's mark of Frederick Elkington Collection of the National Gallery of Australia
For bookings and further information contact
National Gallery of Australia Travelling
Exhibitions
GPO Box 1150
Canberra ACT 2601
email travex@nga.gov.au or
phone +61 2 6240 6650
fax +61 2 6240 6560