DETAIL : COLOGNE SCHOOL Germany Virgin and Child with Saints [Triptych of the Virgin and Child with Saints (left panel) Virgin and Child with Saints (left panel)]
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454 works found | displaying 21 to 40 Page 2 of 23 |   1 2 3 4 5 6 7 8 9 10  
Gianlorenzo BERNINI | Sant' Agnese [St Agnes] | c.1659-72
Luca GIORDANO | Il ratto delle Sabine [The rape of the Sabine women] | c.1672-74
Artist unknown  | St John the Evangelist | c.1680
Artist unknown  | Virgin Mary | c.1680
Joseph VERNET | Port méditerranéen, temps calme [Mediterranean port, calm weather] | c.1745
Joseph VERNET | Tempête sur la côte méditerranéenne [Storm on the Mediterranean coast] | c.1745
Giambattista TIEPOLO | Marriage allegory | c.1737-1747
45898
Image Missing

King George III in coronation robes
(c.1766)
45900
Image Missing

Queen Charlotte in coronation robes
(c.1766)
Ennemond-Alexandre PETITOT | Gran' vasi di Palazzo Ducale, Parma [Large vases from the Ducal Palace, Parma] | c.1765-68
attributed to Guillaume [Guillon] LETHIÈRE | Study for La mort de Camille [The death of Camilla] | 1785
Jean-Germain DROUAIS | Study for Marius prisonnier à Minturnae [Marius imprisoned at Minturno] | 1785
Jean-Antoine HOUDON | Buste de jeune fille [Bust of a girl] | 1791
Martin DRÖLLING | Joseph Merceron, avocat au Parlement de Paris [Joseph Merceron, lawyer to the Paris Parliament] | 1791
Augustin PAJOU | Antoine-Louis-Francois Viel de Lunas, Marquis d'Espeuilles | 1794
Antoine Louis BARYE | Cheval attaqué par un tigre [Horse attacked by a tiger] | 1837 or before
Artist unknown  | Scenes from the Passion of Christ | mid-19th century
Antoine Louis BARYE | Esquisse pour Thésée combatant le centaure Biénor [Study for Theseus slaying the centaur Bienor] | c.1848
Antoine Louis BARYE | Thésée combatant le centaure Biénor (2e réduction) [Theseus slaying the Centaur Bienor (2nd reduction)] | 1849
Gustave COURBET | Study for Les Demoiselles des bords de la Seine (Été) [Girls on the banks of the Seine (Summer)] | 1856
Introduction

The National Gallery of Australia began to collect European and American painting and sculpture in the 1970s. At this time it became clear that the Gallery's mission would be to show works of art from all the cultures of the world, not only that of European Australians, Europe being the continent from which most immigrants have come to Australia. The collection includes works from every continent, concentrating on the cultures that underpin contemporary life, those of the nineteenth and twentieth centuries.

In 1992 the Gallery published a catalogue written by Michael Lloyd and Michael Desmond, European and American Paintings and Sculptures 1870-1970 in the Australian National Gallery. The catalogue is now available here.

In October 2002, twenty years after its doors opened to the public in 1982, the Gallery is publishing more of its collections of 430 paintings and sculptures made by European and American artists on its website. It will be possible to examine all these holdings, from a handful of examples of the art of ancient Greece and Renaissance Italy to many works of art made in the last decades.

Subject to copyright permission, photographic reproductions of the paintings and sculptures accompany all the catalogue details of the National Gallery's works: the artist's name, country, dates of birth and death, the title and date of the painting or sculpture, its medium, size, any inscriptions, and the provenance (or known history of ownership). Many of the catalogue entries include exhibition histories, particular literature, and a discussion of the meaning and context of the work.

European or American?
For ease of reference, the catalogue is divided into European and American categories. Any artists who have made art in both continents, such as Man Ray, Marcel Duchamp, Mary Kelly or David Hockney, are included in both catalogues.

How to read the catalogues:
b&w = black-and-white
c. = centre
c.l. = centre left
c.r. = centre right
illus. = illustrated
inscribed = extra information written on the work by the artist
l.c. = lower centre
l.l. = lower left
l.r. = lower right
obverse = on the head or portrait side of a medal
recto = on the side of the work's support facing the viewer
reverse = on the thematic side of a medal, as in 'tails' for a coin
u.c. = upper centre
u.l. = upper left
u.r. = upper right
verso = on the reverse side of the work's support, usually canvas or paper

Introduction | American Art | European Art | Provenance Research