Elaine and Jim
Wolfensohn gift

Travelling exhibitions | Introduction | Blue case | Red case | Yellow case | Melbourne cup

Blue Case: Technology

Brain coral

Brain coral focuses on the incredible complexity of the human brain and the idea that technology is driven by the human sense of enquiry. The form of the sculpture was inspired by a type of coral structure commonly referred to as brain coral. More detail

Lionel Bawden Brain coral 2003, coloured Staedtler pencils, araldite, Incralac, National Gallery of Australia, Canberra

Sacred Heart

Sacred Heart was made to cheer up the artist's mother by appealing to her good sense of humour after she had open-heart bypass surgery. The box, which opens from the back, has left and right ventricle compartments for her blood pressure and cholesterol tablets. The title of the pillbox contemplates the sacredness of all aspects of life and seeks to remind us that the physical self is an integral part of our human spirit. More detail

 Sacred Heart 1999

Matt Harding Sacred Heart 1999, purpleheart wood, National Gallery of Australia, Canberra

Palmlight #2

This work was part of a series that explored the idea of small-scale portable light objects: lights that fit in the palm of your hand. The objects were designed to be used in the hand like a torch, or be placed on a table, providing illumination similar to that of a tea light candle. More detail

e Palmlight #2 2000

Cinnamon Lee Palmlight #2 2000, hand-sized battery-powered light, National Gallery of Australia, Canberra

Lizard grinder

This work was made after a six month stay in India. From the vantage point of being in South India the artist could see the most valuable parts of Australia. With the Lizard grinder he tried to bring together the sense of a harsh landscape through the depiction of the creatures that exist with it: the colours, the angles, and the robustness of the inland lizards. More detail

Karl Lawrence Millard Lizard grinder 2000

Karl Lawrence Millard Lizard grinder 2000, brass, bronze, copper, sterling silver, money metal, Peugeot mechanism, stainless steel screws, National Gallery of Australia, Canberra

Double bowl

Since 1992 Gilbert Riedelbach has combined digital technologies with traditional silversmithing techniques, taking advantage of computers at the concept, making and production stage. Designing takes place in the virtual workshop of the computer, while the actual production is handed over to a machine-based process, in this case rapid prototyping. More detail

h Double bowl 2000

Gilbert Riedelbauch Double bowl 2000, nylon, rapid prototyping from a mathematical equation, National Gallery of Australia, Canberra

Hair chairs

To create the Hair chairs, Emily O'Brien searched through old furniture catalogues and collected a wide range of images of ordinary and exotic household items. By working with familiar experiences and imagery, the artist creates objects that people can easily connect with. More detail

Blanche Tilden Scale necklace 2001 lampworked borosilicate glass, hand-cut titanium National Gallery of Australia, Canberra

Emily O'Brien Hair chairs 2004, anodised aluminium, National Gallery of Australia, Canberra