DETAIL : Jimmy BAKER 'Katatjita' 2006 synthetic polymer paint on canvas, Courtesy of Marshall Arts Aboriginal Fine Art Gallery, � Jimmy Baker
Gordon HOOKEY | FIGHT: To Survive, To Live; To Die!

HOOKEY, Gordon
Australia 1961
FIGHT: To Survive, To Live; To Die!
Conject Jar 2007
oil on canvas
overall 240.0 (h) x 603.70 (w) cm
each 167.5 (h) x 121.6 (w) cm
each 240.0 (h) x 180.1 (w) cm
Purchased 2007
© Gordon Hookey

A while ago I was asked to do some work about the Chris Hurley case. Because I wasn’t directly involved I decided to do a more general painting on black deaths in custody. This is it: FIGHT: To Survive; To Live; To Die!

My first thought was to depict a subversion of events. Instead of a blackfella being beaten by the cops, here, you’ve got the cops being beaten by a blackfella. My central figure is the key to this painting: an image of resilience, of fighting back against the odds.

The boxing tent to the left refers to a history of blackfellas fighting in Australia. Here I use it as a sign of empowerment with the blackfellas as heroes and the redneck crowd as villains. The left panel shows the faces of the rednecks. Like criminals, their faces are obscured by stockings. This obscurement refers to how racism can be masked or institutionalised. It’s a kind of crowd mentality.

The crow on the right of the central panel refers to the spirit of blackfellas who have died in custody, ascending from the jail cell. To its right, the dove symbolises the resting place of those spirits: a place of freedom and peace.

As for the global symbol, I’ve used this in the past. Global decisions impact on us locally, such as multinational companies drawing resources from Indigenous lands. It’s a reminder that the fight is not just against crooked cops.

Gordon Hookey, 2007