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  3. Jonathan Jones: untitled (walam-wunga.galang)

Jonathan Jones: untitled (walam-wunga.galang)

4 Mar – 23 Jul 2023

A detail of up-scaled sandstone grinding and milling stones from different sites in Wiradjuri Country (central New South Wales)

Jonathan Jones, Wiradjuri/Kamilaroi peoples, Dr Uncle Stan Grant Snr AM, Wiradjuri people, collaborator, Beatrice Murray, Wiradjuri people, collaborator, untitled (walam-wunga.galang) (detail), 2020–21, National Gallery of Australia, Kamberri/Canberra, gift of Wesfarmers © Jonathan Jones

'untitled (walam-wunga.galang) celebrates the south-east cultural practice of collecting seeds, grinding them to make flour, to make bread, feeding our families. This practice has occurred for countless generations in this region. A grindstone believed to be 32,000 years old was unearthed in central New South Wales, making us some of the world’s oldest bread-makers ... The process of shaping stone with stone speaks to our enduring presence and the strength of our knowledges.’

Jonathan Jones


untitled (walam-wunga.galang) is a collaborative project with Uncle Stan Grant Senior and Beatrice Murray. It celebrates the south-east cultural practice of collecting seeds, grinding them to make flour, to make bread, feeding our families. This practice has occurred for countless generations in this region. A grindstone believed to be 32,000 years old was unearthed in central New South Wales, making us some of the world’s oldest bread-makers. Yet like most Aboriginal stories, this story has been ignored and displaced by Australia’s colonial narrative. This work is about bringing those stories to light. The project has drawn on the work of Uncle Bruce Pascoe and Bill Gammage, key thinkers within the conversation about how south-east Australia is understood.

These epic grindstones acknowledge the weight of these stories, which change the way we understand ourselves as a nation. The works are made from sandstone collected from the south-east, slowly ground down over years. The process of shaping stone with stone speaks to our enduring presence and the strength of our knowledges. In the soundscape we hear Uncle Stan Grant Senior speak to us in Wiradjuri, telling us to stay connected to Country, that Country needs us, and that if we look after it, Country will look after us. ngangaanhi ngurambang wiinydhuradhu (we care for our Country with fire), speak to the importance of fire to maintain Country and encourage cereal grasses. Beatrice Murray sings Uncle Stan’s words to life, reminding us of the cultural significance of the links between our creative processes and caring for Country, for our grasses, our objects, which have sustained our communities for thousands of generations. These stories and how we tell them are what makes a nation.

Jonathan Jones

This work was commissioned and generously supported by Wesfarmers Arts, Boorloo/Perth, the Gallery’s Indigenous Arts Partner since 2012.

Curator: Tina Baum, Gulumirrgin (Larrakia)/Wardaman/ Karajarri peoples, Curator, Aboriginal and Torres Strait Islander Art

Supported by

  • Wesfarmers Arts

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Jonathan Jones

Born 1978

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