Ceremony Guide

Being in a place like this and looking around and stopping, it's doing its own thing all the time. I use a lot of the rocks and charcoal from bushlands and from bushfires around here, what's under foot, what's in hand.

There is a lot of technology – refined components that make the work move. I think a major part of my work is that interaction between those materials. I use a lot of local Indigenous language words, there's a lot of knowledges that's held within those words.

So the idea of unearthing histories and things like that, what I want to bring to the work is something that is creating like a new story, that has a new landscape, or a new environment or a new space and time and ideas of cycle whether it's on a day or whether it's a month or whether it's years or 10 years and even beyond that, that we don't see because we haven't lived long enough to perceive these.