I was starting drawing the flannel flowers at a stage when my poor husband, Peter, was dying. I wanted them to appear as though they were in a field or in the bush. And I wanted that feeling of when you're lying on the grass, looking up at the sky, that lovely free feeling you get. Also, I wanted the blue and the beautiful pale subtle white, green. The combination, reminded me of Islamic art where they don't necessarily paint people. It's all about the tiles. The Iznik tiles are often blue and white and look really beautiful. And in mosques, it's that combination of blue and white stars on the inside the mosque.
I didn't finish it till practically Peter had died, but he did actually see the drawing and he loved the drawing. It was almost like when I finished the picture, it was almost like a sort of... not a memorial picture, but it was an ode to him in a funny kind of way. And it was just... It's not a mournful picture because it's quite a... it's got a lot of movement in it, there was just something incredibly peaceful about drawing them and then painting it after he died. And it did have to me, it was almost like a very peaceful memory of him.