Colour, rhythm & spirit: A modern view Featured crate
Authored by Alice Rezende
Articulated in brilliantly executed paintings, drawings and studies by key modern Australian artists, this selection of works from the national collection reflect the various ways in which they approached and experimented with colour. While each approach is unique, what is evident is their shared use of systematic means (such as annotations, numbers, scales, and divisions), as well as repetition and pattern, to convey a sense of rhythm and dynamism through the use of colour.
With the frenetic pace of industrialisation of the mid-to-late nineteenth century, the experience of early modernity felt dystopian and spiritually devoid of meaning to many. Seeking to break away from this outlook, artists leaned toward nature and the experience of everyday moments as perceived through the human senses. In this way, expressing the world through colour spoke to their quest for not only intellectual and aesthetic meaning, but also spiritual fulfillment.
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Colour notations to the key of Francis Bacon
This watercolour drawing by Roy de Maistre is likely an artist's copy of a Francis Bacon rug design. In the early 1930s and before focusing …
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Cossington Smith's first annotations
As a response to a letter Vincent van Gogh wrote, in which the artist foretold of the colours he was to use in his work …
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Simultaneous senses
De Maistre was systematic about the application of colour in his work through the use of colour scales, schemes and charts. As a classically trained …
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Bright, bold and rhythmic
The works which de Maistre produced around the time of the 1919 exhibition 'Colour in Art', where he exhibited alongside friend Roland Wakelin, show his …
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The mind's eye
De Maistre was systematic about the application of colour in his work through the use of scales, schemes and charts. As a classically trained musician, …
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Painting as architecture
From 1926-29, Grace Crowley spent four years in France, studying under cubist artists and teachers André Lhote and briefly, but significantly, Albert Glezies. As a …
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Circular logic
Anne Dangar was fascinated by the work of Albert Gleizes, adopting systematic concepts of representation such as translation and rotation which went directly against traditional …
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Optical scales
In her 'Sketchbook on colour theory 1920-24', Preston developed a scale of the 12 chromatic colours to correspond to the 12 notes of the octave. …
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Blending space and time
n 1928, Australian artists Grace Crowley, Anne Dangar and Dorrit Black all attended the influential cubist painter André Lhote’s school in Paris. After travelling through …