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  3. 4th National Indigenous Art Triennial: Ceremony
  4. 4th National Indigenous Art Triennial: Ceremony

4th National Indigenous Art Triennial: Ceremony

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Gutiŋarra Yunupiŋu, Gumatj people, Maralitja (still), 2021, commissioned by the National Gallery of Australia, Kamberri/Canberra for the 4th National Indigenous Art Triennial: Ceremony with the support of the American Friends of the National Gallery of Australia with the assistance of Geoffrey Pack and Leigh Pack, image courtesy the artist and The Mulka Project © the artist

Thank you for hosting this National Gallery touring exhibition.

  • Exhibition Overview
  • Approvals and Acknowledgements
  • Assets
  • Learning Resources
  • Products
  • Standards and Guidelines
  • Contacts

Exhibition Overview

Ceremony remains central to the creative practice of many Aboriginal and Torres Strait Islander artists. This exhibition and program of events will animate and heal to reveal how ceremony is at the nexus of Country, of culture and of community.

From the intimate and personal to the collective and collaborative, ceremonies manifest through visual art, film, music and dance. Ceremonial practice has a performative element. At its heart is the concept of iteration, the artist’s conscious engagement with what has come before. Iteration can be expressed in the painted minutiae of tali (sandhills) or the click of a shutter.

The Triennial is the National Gallery’s flagship exhibition of contemporary Aboriginal and Torres Strait Islander art. The National Indigenous Art Triennial is made possible through the continued generosity of the National Gallery’s Indigenous Arts Partner Wesfarmers Arts and key philanthropic supporters.

Curator: Hetti Perkins, Arrernte and Kalkadoon peoples, Senior Curator-at-large, with National Gallery Curators

Approvals and Acknowledgements


Please acknowledge the National Gallery and sponsors in all communications and marketing collateral associated with the Touring Exhibition, and send back for National Gallery approval.

Please allow a minimum of five business days for approvals.

The National Gallery must approve the following before publication:

  • Marketing collateral (print and electronic) i.e. exhibition posters, flyers, invitations
  • Media releases
  • Video

Please use the following acknowledgements as outlined:

Signage: All Exhibition signage shall include the logo lock up provided.

Written and spoken acknowledgement: The 4th National Indigenous Art Triennial: Ceremony is a National Gallery Touring Exhibition supported by the Australian Government through Visions of Australia and National Collection Institutions Touring and Outreach Program. The Exhibition is made possible through the continued generosity of the National Gallery’s Indigenous Arts Partner Wesfarmers Arts and key philanthropic supporters.

Shortened acknowledgement: The 4th National Indigenous Art Triennial: Ceremony is a National Gallery Touring Exhibition supported by Visions of Australia, National Collection Institutions Touring and Outreach Program, Wesfarmes Arts and key philanthropic supporters.

Social media tags:

Facebook: @NationalGalleryofAustralia

Instagram @nationalgalleryaus

Twitter @natgalleryaus

Please use the following hashtags where appropriate:

#ceremony #nationalgalleryaus

Please include logos on all advertising, printed material and marketing collateral associated with the Touring Exhibition as per logo lockup below:

Ceremony Partnership Lockup jpg Ceremony Partnership Lockup eps Ceremony Partnership Lockup png

Tour Information and Assets


Please find below all assets, including approved hero images for promotion of the Touring Exhibition that can be used in print and electronic collateral.

Venues are required to read the copyright information below and agree to the terms of use agreement in order to proceed.

  • The approved hero images have received copyright clearance for non-commercial promotion of the touring exhibition.
  • The images are for the use of venues only and may not be distributed to any other party. See the Media centre for images to provide to media for their use.

Use of these images outside these outlined exceptions, without the Gallery's or the copyright holder's authorisation, is an infringement which may be subject to legal redress by the copyright holder.

Moral rights

  • All images must be correctly acknowledged with the captions supplied herein.
  • All images must be reproduced with due consideration for the artist's honour and reputation, respecting their moral rights.
  • Any potential infringement of the artist’s moral rights (cropping, overprinting etc.) must be approved by both the National Gallery and the artist.

Infringement of an artist's moral rights may be subject to legal redress by either the artist or the estate of that artist.

Want images to provide to media for their use? See the Media Kit

Hero Images


  • Joel Bray, Wiradjuri people, Giraaru Galing Gaanhagirri (still), 2022, commissioned by the National Gallery of Australia, Kamberri/Canberra for the 4th National Indigenous Art Triennial: Ceremony, created in consultation with Uncle James Ingram and Wagga Wagga Elders, and with support from City of Melbourne, Phillip Keir and Sarah Benjamin (the Keir Foundation), City of Port Phillip, Create NSW, Blacktown Arts, Arts Centre Melbourne, and Yirramboi Festival 2020, image courtesy and © the artist

    Download web version
    Download print version
  • Nicole Foreshew, Wiradjuri people, Mambanha (the cry of mourning) (detail), 2022, commissioned by the National Gallery of Australia, Kamberri/Canberra for the 4th National Indigenous Art Triennial: Ceremony, image courtesy and © the artist

    Download web version
    Download print version
  • Dylan River, Kaytetye people, Untitled (Bungalow), 2022, commissioned by the National Gallery of Australia, Kamberri/Canberra for the 4th National Indigenous Art Triennial: Ceremony with the support of the American Friends of the National Gallery of Australia with the assistance of the Christopher and Francesca Beale Private Foundation, image courtesy and © the artist

    Download web version
    Download print version
  • A photograph of a machine suspended over a wall painted white. The wall has some marks in a red ochre colour beginning to appear

    Robert Andrew, Yawuru people, A connective reveal—nainmurra guuruburrii dhaura, 2022–ongoing, commissioned by the National Gallery of Australia, Kamberri/Canberra for the 4th National Indigenous Art Triennial: Ceremony, created in consultation with Dr Matilda House and Paul Girrawah House, Ngambri-Ngunnawal Traditional Custodians, purchased 2021, image courtesy the artist and Milani Gallery © the artist

    Download web version
    Download print version
  • Joel Bray, Wiradjuri people, Giraaru Galing Gaanhagirri (still), 2022, commissioned by the National Gallery of Australia, Kamberri/Canberra for the 4th National Indigenous Art Triennial: Ceremony, created in consultation with Uncle James Ingram and Wagga Wagga Elders, and with support from City of Melbourne, Phillip Keir and Sarah Benjamin (the Keir Foundation), City of Port Phillip, Create NSW, Blacktown Arts, Arts Centre Melbourne, and Yirramboi Festival 2020, image courtesy and © the artist

    Download web version
    Download print version
  • Kunmanara Carroll, Luritja and Pintupi peoples, Yumari, 2021, commissioned by the National Gallery of Australia, Kamberri/Canberra for the 4th National Indigenous Art Triennial: Ceremony with the support of Suzanne Maple-Brown and Anthony Maple-Brown, purchased 2021, image courtesy the Estate of Kunmanara Carroll and Ernabella Arts © the Estate of Kunmanara Carroll

    Download web version
    Download print version
  • Four carved wooden boomerangs and two shields presented on a gallery wall

    Andrew Snelgar, installation view, 4th National Indigenous Art Triennial: Ceremony, National Gallery of Australia, Kamberri/Canberra, 2022, image courtesy and © the artist

    Download web version
    Download print version
  • Andrew Snelgar, Ngemba people, Shield – Baa (Place), 2021, commissioned by the National Gallery of Australia, Kamberri/Canberra for the 4th National Indigenous Art Triennial: Ceremony, purchased 2022, image courtesy and © the artist

    Download web version
    Download print version
  • Boorljoonngali, Gija people, Gemerre (detail), 2007, National Gallery of Australia, Kamberri/Canberra, purchased 2021, image courtesy and © the Estate of Boorljoongali

    Download web version
    Download print version
  • Daguerreotype photograph of coastal landscape with rock formation

    James Tylor, Kaurna people, The Darkness of Enlightenment (detail), 2021, commissioned by the National Gallery of Australia, Kamberri/Canberra for the 4th National Indigenous Art Triennial: Ceremony with the support of Ray Wilson OAM, image courtesy and © the artist

    Download web version
    Download print version
  • A collection of photographs printed on silver are presented on a wall, interspersed with bronze castings of native Australian flora

    James Tylor, Kaurna people, The Darkness of Enlightenment , 2021, commissioned by the National Gallery of Australia, Kamberri/Canberra for the 4th National Indigenous Art Triennial: Ceremony with the support of Ray Wilson OAM, image courtesy and © the artist

    Download web version
    Download print version
  • Work in progress, Yarrenyty Arltere Artists, Mparntwe/Alice Springs, Northern Territory, 2021, image courtesy National Gallery of Australia, Kamberri/Canberra © the artists

    Download web version
    Download print version
  • Close up image of an embroidered animal being worked on

    Work in progress, Yarrenyty Arltere Artists, Mparntwe/Alice Springs, Northern Territory, 2021, image courtesy National Gallery of Australia, Kamberri/Canberra © the artists

    Download web version
    Download print version
  • A screenshot of a very wide film showing an indigenous man standing in the middle of a wide blue sky

    Gutiŋarra Yunupiŋu, Gumatj people, Maralitja (still), 2021, commissioned by the National Gallery of Australia, Kamberri/Canberra for the 4th National Indigenous Art Triennial: Ceremony with the support of the American Friends of the National Gallery of Australia with the assistance of Geoffrey Pack and Leigh Pack, image courtesy the artist and The Mulka Project © the artist

    Download web version
    Download print version
ASSETS
  • Exhibition

    4th National Indigenous Art Triennial: Ceremony

    Black and white image

    26 Mar – 31 Jul 2022

  • 4th National Indigenous Art Triennial: Ceremony
    Media Kit

    A woman standing in front of two large linework neon light designs are hung across a wide wall
  • Ceremony Digital Publication

  • Ceremony Curator's Letter

    Hetti Perkins stands in front of two artworks.
  • James Tylor
    Photo essay

    Lit by a single light, James Tylor sits in his darkened studio holding a daguerreotype photographic plate with gloved hands. He wears black and white Adidas trainers, olive chinos and a Kathmandu winter coat. He has dark short hair.
  • Penny Evans
    Studio spotlight

    Penny Evans stands behind a large and full work bench making her artworks
  • Mantua Nangala

    A deep yellow pattern of repeated lines and dots
  • Blak power

    A soft sculpture depiction of Parliament House surrounded by soft sculptures of people and native Australian animals and protest signs
  • First Nations

    Mind your language

    A wide long photograph / still from a film with a First Nations man, wearing a yellow singlet and black shorts signing
  • S.J Norman

    Black and white photograph of Koori artist SJ Norman sitting at a table surrounded by animal bones
  • Gutiŋarra Yunupiŋu – Communicating Country

    Artist Gutiŋarra Yunupiŋu carrying a camera and wearing a bright orange t-shirt walking walking through his hometown of Yirrkala in Northeast Arnhem Land
  • Dylan River

    A portrait of Dylan River standing outside.
  • Madhan warrugarra wirimbirra gulbalanha

    Image of Dr Matilda House and Paul Girrawah House in front of a scar tree
  • Talks & Lectures /  Video

    The Moving Image with Hayley Millar Baker, Dylan River and Gutiŋarra Yunupiŋu

    Screen shot of a film still showing a woman from behind, sitting on a bench and watching a large film projection

    Published 05 April 2022

    50 minutes
  • Talks & Lectures /  Video

    Working with Country with Dr Matilda House & Paul Girrawah House, Robert Andrew and Nicole Foreshew

    Published 05 April 2022

    58 minutes
  • Talks & Lectures /  Video

    Politics of Performance with Joel Bray, S.J Norman & Darrell Sibosado

    screenshot of a video still showing a neon light artwork installed in a gallery space

    Published 05 April 2022

    59 minutes
APPROVED COPY

Short text (80 words)

The 4th National Indigenous Art Triennial: Ceremony is the National Gallery’s flagship exhibition of contemporary Aboriginal and Torres Strait Islander art.

Ceremony remains central to the creative practice of many Aboriginal and Torres Strait Islander artists. From the intimate and personal to the collective and collaborative, ceremonies manifest through visual art, film, music and dance.

Featuring the work of 35 artists from across Australia, this exhibition reveals how ceremony is at the nexus of Country, of culture and of community.

Learning Programs and Resources


Art Together with Joel Bray

Programming and Outreach support

The National Gallery offers programming and outreach support for Touring Exhibitions. Please contact the National Gallery Outreach Program Convenor Jessi England.

Education resource

An education resource for 4th National Indigenous Art Triennial: Ceremony is being developed. More to come.

Available products


Digital Publication

Standards and Guidelines


Conservation Guidelines for Film Crews and Photographers Copyright and Style Guidelines for Reproducing Works of Art Social Media Cheat Sheet

Contacts


Touring Exhibitions
Kathleen Worboys, Project Officer, Touring Exhibitions
P 02 6240 6650
E Kathleen.Worboys@nga.gov.au

Communications
Jessica Barnes, Communications Officer
P 02 6240 6431
E jessica.barnes@nga.gov.au

Marketing
Hayley Barrett, Marketing & Tourism Coordinator
P 02 6240 6589
E hayley.barrett@nga.gov.au

Programs
Jessi England, John T Reid Outreach Program Convenor
P 02 6240 6516
E jessi.england@nga.gov.au

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Yuuma, Gurruburri

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