4th National Indigenous Art Triennial: Ceremony
Touring Portal

Gutiŋarra Yunupiŋu, Gumatj people, Maralitja (still), 2021, commissioned by the National Gallery of Australia, Kamberri/Canberra for the 4th National Indigenous Art Triennial: Ceremony with the support of the American Friends of the National Gallery of Australia with the assistance of Geoffrey Pack and Leigh Pack, image courtesy the artist and The Mulka Project © the artist
Thank you for hosting this National Gallery touring exhibition.
Exhibition Overview
Ceremony remains central to the creative practice of many Aboriginal and Torres Strait Islander artists. This exhibition and program of events will animate and heal to reveal how ceremony is at the nexus of Country, of culture and of community.
From the intimate and personal to the collective and collaborative, ceremonies manifest through visual art, film, music and dance. Ceremonial practice has a performative element. At its heart is the concept of iteration, the artist’s conscious engagement with what has come before. Iteration can be expressed in the painted minutiae of tali (sandhills) or the click of a shutter.
The Triennial is the National Gallery’s flagship exhibition of contemporary Aboriginal and Torres Strait Islander art. The National Indigenous Art Triennial is made possible through the continued generosity of the National Gallery’s Indigenous Arts Partner Wesfarmers Arts and key philanthropic supporters.
Curator: Hetti Perkins, Arrernte and Kalkadoon peoples, Senior Curator-at-large, with National Gallery Curators
Approvals and Acknowledgements
Please acknowledge the National Gallery and sponsors in all communications and marketing collateral associated with the Touring Exhibition, and send back for National Gallery approval.
Please allow a minimum of five business days for approvals.
The National Gallery must approve the following before publication:
- Marketing collateral (print and electronic) i.e. exhibition posters, flyers, invitations
- Media releases
- Video
Please use the following acknowledgements as outlined:
Signage: All Exhibition signage shall include the logo lock up provided.
Written and spoken acknowledgement: The 4th National Indigenous Art Triennial: Ceremony is a National Gallery Touring Exhibition supported by the Australian Government through Visions of Australia and National Collection Institutions Touring and Outreach Program. The Exhibition is made possible through the continued generosity of the National Gallery’s Indigenous Arts Partner Wesfarmers Arts and key philanthropic supporters.
Shortened acknowledgement: The 4th National Indigenous Art Triennial: Ceremony is a National Gallery Touring Exhibition supported by Visions of Australia, National Collection Institutions Touring and Outreach Program, Wesfarmes Arts and key philanthropic supporters.
Social media tags:
Facebook: @NationalGalleryofAustralia
Instagram @nationalgalleryaus
Twitter @natgalleryaus
Please use the following hashtags where appropriate:
#ceremony #nationalgalleryaus
Please include logos on all advertising, printed material and marketing collateral associated with the Touring Exhibition as per logo lockup below:
Tour Information and Assets
Please find below all assets, including approved hero images for promotion of the Touring Exhibition that can be used in print and electronic collateral.
Venues are required to read the copyright information below and agree to the terms of use agreement in order to proceed.
- The approved hero images have received copyright clearance for non-commercial promotion of the touring exhibition.
- The images are for the use of venues only and may not be distributed to any other party. See the Media centre for images to provide to media for their use.
Use of these images outside these outlined exceptions, without the Gallery's or the copyright holder's authorisation, is an infringement which may be subject to legal redress by the copyright holder.
Moral rights
- All images must be correctly acknowledged with the captions supplied herein.
- All images must be reproduced with due consideration for the artist's honour and reputation, respecting their moral rights.
- Any potential infringement of the artist’s moral rights (cropping, overprinting etc.) must be approved by both the National Gallery and the artist.
Infringement of an artist's moral rights may be subject to legal redress by either the artist or the estate of that artist.
Want images to provide to media for their use? See the Media Kit
Hero Images
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Joel Bray, Wiradjuri people, Giraaru Galing Gaanhagirri (still), 2022, commissioned by the National Gallery of Australia, Kamberri/Canberra for the 4th National Indigenous Art Triennial: Ceremony, created in consultation with Uncle James Ingram and Wagga Wagga Elders, and with support from City of Melbourne, Phillip Keir and Sarah Benjamin (the Keir Foundation), City of Port Phillip, Create NSW, Blacktown Arts, Arts Centre Melbourne, and Yirramboi Festival 2020, image courtesy and © the artist
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Nicole Foreshew, Wiradjuri people, Mambanha (the cry of mourning) (detail), 2022, commissioned by the National Gallery of Australia, Kamberri/Canberra for the 4th National Indigenous Art Triennial: Ceremony, image courtesy and © the artist
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Dylan River, Kaytetye people, Untitled (Bungalow), 2022, commissioned by the National Gallery of Australia, Kamberri/Canberra for the 4th National Indigenous Art Triennial: Ceremony with the support of the American Friends of the National Gallery of Australia with the assistance of the Christopher and Francesca Beale Private Foundation, image courtesy and © the artist
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Robert Andrew, Yawuru people, A connective reveal—nainmurra guuruburrii dhaura, 2022–ongoing, commissioned by the National Gallery of Australia, Kamberri/Canberra for the 4th National Indigenous Art Triennial: Ceremony, created in consultation with Dr Matilda House and Paul Girrawah House, Ngambri-Ngunnawal Traditional Custodians, purchased 2021, image courtesy the artist and Milani Gallery © the artist
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Joel Bray, Wiradjuri people, Giraaru Galing Gaanhagirri (still), 2022, commissioned by the National Gallery of Australia, Kamberri/Canberra for the 4th National Indigenous Art Triennial: Ceremony, created in consultation with Uncle James Ingram and Wagga Wagga Elders, and with support from City of Melbourne, Phillip Keir and Sarah Benjamin (the Keir Foundation), City of Port Phillip, Create NSW, Blacktown Arts, Arts Centre Melbourne, and Yirramboi Festival 2020, image courtesy and © the artist
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Kunmanara Carroll, Luritja and Pintupi peoples, Yumari, 2021, commissioned by the National Gallery of Australia, Kamberri/Canberra for the 4th National Indigenous Art Triennial: Ceremony with the support of Suzanne Maple-Brown and Anthony Maple-Brown, purchased 2021, image courtesy the Estate of Kunmanara Carroll and Ernabella Arts © the Estate of Kunmanara Carroll
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Andrew Snelgar, installation view, 4th National Indigenous Art Triennial: Ceremony, National Gallery of Australia, Kamberri/Canberra, 2022, image courtesy and © the artist
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Andrew Snelgar, Ngemba people, Shield – Baa (Place), 2021, commissioned by the National Gallery of Australia, Kamberri/Canberra for the 4th National Indigenous Art Triennial: Ceremony, purchased 2022, image courtesy and © the artist
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Boorljoonngali, Gija people, Gemerre (detail), 2007, National Gallery of Australia, Kamberri/Canberra, purchased 2021, image courtesy and © the Estate of Boorljoongali
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James Tylor, Kaurna people, The Darkness of Enlightenment (detail), 2021, commissioned by the National Gallery of Australia, Kamberri/Canberra for the 4th National Indigenous Art Triennial: Ceremony with the support of Ray Wilson OAM, image courtesy and © the artist
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James Tylor, Kaurna people, The Darkness of Enlightenment , 2021, commissioned by the National Gallery of Australia, Kamberri/Canberra for the 4th National Indigenous Art Triennial: Ceremony with the support of Ray Wilson OAM, image courtesy and © the artist
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Work in progress, Yarrenyty Arltere Artists, Mparntwe/Alice Springs, Northern Territory, 2021, image courtesy National Gallery of Australia, Kamberri/Canberra © the artists
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Work in progress, Yarrenyty Arltere Artists, Mparntwe/Alice Springs, Northern Territory, 2021, image courtesy National Gallery of Australia, Kamberri/Canberra © the artists
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Gutiŋarra Yunupiŋu, Gumatj people, Maralitja (still), 2021, commissioned by the National Gallery of Australia, Kamberri/Canberra for the 4th National Indigenous Art Triennial: Ceremony with the support of the American Friends of the National Gallery of Australia with the assistance of Geoffrey Pack and Leigh Pack, image courtesy the artist and The Mulka Project © the artist
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26 Mar – 31 Jul 2022
Short text (80 words)
The 4th National Indigenous Art Triennial: Ceremony is the National Gallery’s flagship exhibition of contemporary Aboriginal and Torres Strait Islander art.
Ceremony remains central to the creative practice of many Aboriginal and Torres Strait Islander artists. From the intimate and personal to the collective and collaborative, ceremonies manifest through visual art, film, music and dance.
Featuring the work of 35 artists from across Australia, this exhibition reveals how ceremony is at the nexus of Country, of culture and of community.
Learning Programs and Resources

Art Together with Joel Bray
Programming and Outreach support
The National Gallery offers programming and outreach support for Touring Exhibitions. Please contact the National Gallery Outreach Program Convenor Jessi England.
Education resource
An education resource for 4th National Indigenous Art Triennial: Ceremony is being developed. More to come.
Contacts
Touring Exhibitions
Kathleen Worboys, Project Officer, Touring Exhibitions
P 02 6240 6650
E Kathleen.Worboys@nga.gov.au
Communications
Jessica Barnes, Communications Officer
P 02 6240 6431
E jessica.barnes@nga.gov.au
Marketing
Hayley Barrett, Marketing & Tourism Coordinator
P 02 6240 6589
E hayley.barrett@nga.gov.au
Programs
Jessi England, John T Reid Outreach Program Convenor
P 02 6240 6516
E jessi.england@nga.gov.au