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Marrangu-Wurrkiganydjarr people

Dark brown pole with ochre, white and yellow figurative paintings of interconnected yams

George Jangawanga, Marrangu people, Yarrpany story, yams, 1987-88, purchased with the assistance of funds from National Gallery admission charges and commissioned in 1987.

The Marrangu-Wurrkiganydjarr are people of the eucalyptus forest. Wurrkiganydjarr literally means flower power, and this group is also known as the sugarbag (honey) people.

Yarrpany, wild honey of the Dhuwa moiety, and Mewal, the honey ancestor, are depicted on many of the hollow logs by Jimmy Moduk, as are human figures, hives in trees and honey-collecting implements, such as stone axes, dilly bags, mops and ladles.

Bush creatures and features abound: bandicoots, wallabies, geckos, blanket lizards, goannas, flowers, trees, insects, stones and rocks. Many lagoon species are shown, such as salmon catfish, garfish, spangled perch, file snakes and water weed.

The path through the Memorial imitates the course of the Glyde River estuary which flows through the Arafura Swamp to the sea. The hollow log coffins are situated broadly according to where the artists' clans live along the river and its tributaries.


Tall, thin ochre pole with yellow, white, black ochre paintings of frill-necked lizards

Jimmy Moduk, Marrangu people, Yarrpany story with lizard's young and mature frill-necked lizards and seaweed, 1987-88, purchased with the assistance of funds from National Gallery admission charges and commissioned in 1987.

Jimmy Moduk, Marrangu people, Yarrpany story with wallaby, 1987-88, purchased with the assistance of funds from National Gallery admission charges and commissioned in 1987.

Dark brown pole with ochre, white and yellow figurative paintings of interconnected yams

George Jangawanga, Marrangu people, Yarrpany story, yams, 1987-88, purchased with the assistance of funds from National Gallery admission charges and commissioned in 1987.

Ochre pole with painting of a black fish pattern with yellow, white and ochre stripes

Andrew Marrgululu, Marrangu people, Blackfish, 1987-88, purchased with the assistance of funds from National Gallery admission charges and commissioned in 1987.

A wide ochre pole with yellow, white and ochre painted motifs

Dick Smith Mewirri, Marrangu people, Djenbi story; goannas, Yarrpany (honey), 1987-88, purchased with the assistance of funds from National Gallery admission charges and commissioned in 1987.

Shorter pole with slight left lean, ochre in colour with traditionally painted catfish, blackfish, gasfish in yellow, white and black

Don Gundinga, Marrangu people, Eel-tailed catfish, blackfish, gasfish, 1987-88, purchased with the assistance of funds from National Gallery admission charges and commissioned in 1987.

Clan stories


Mewal — Dhuwa Honey

At the beginning of time, a Honey Spirit in the form of a man known by many names — Udal, Wuyal, Wandjuk, Mere and Mewal — came from the east near Blue Mud Bay and journeyed westward, hunting and gathering honey.

At Walkumbimirri near Ramingining, Honey Spirits were dancing and cutting down a tree, which fell and formed a creek. As the tree was cut, the wood chips flew hitting the earth and creating waterholes, one of which is now called Djapididjapin. The Honey Spirits metamorphosed into long rock beds which are riddled with holes. It is said that if you camp nearby, the humming sound of Honey Spirits can be heard at night.

Further along the creek Ngalkandji the Frill-necked Lizard, with a splinter caught in his throat, went into the ground at a large circular rock pool called Ngalkandjibimirri. South of there a Honey Spirit woman turned into a saddle shaped rock.

Wild honey, commonly known across Arnhem Land as 'sugarbag', is not only a delicacy but has ritual and spiritual significance. It becomes available in the dry season — Rrarrandharr — from August, when the gadayka or stringy-bark tree blossoms, to October. All creatures associated with these trees are sacred; geckos, goannas, frill-necked lizards, yams and bush wallabies.

In Arnhem Land species of bees are identified by the type of honey they produce and the location of their hives. Yarrpany honey stories are usually depicted quite naturalistically; the Dhuwa honey ancestors are shown with implements — such as axes, sticks, long-handled mops and bags — used to collect food and with yams which they planted for people to eat.

Wudubal — Marrangu Fish

In the wet season when the creeks and rivers are swollen, fish give birth to the next generation, many swimming inland to take advantage of abundant food.

At Ngoymuludjapin in Marrangu land a white grey rock is the Dreaming place for the Wudubal fish. Each year when the first rains come a ritual is performed in which pieces of this rock are thrown into the water, accompanied by songs and dances. This ensures the birth of the season's fish.


Related


The Aboriginal Memorial
Media Kit

A man standing within an installation of 200 hollow log coffins from Central Arnhem Land
First Nations

The Aboriginal Memorial

A wide-angle photograph showing an installation of 200 painted hollow logs standing upright in a large gallery space. The surrounding walls are painted in a dark colour and the logs are positioned on a navy plinth shaped to resemble both sides of a river bank.

The Aboriginal Memorial is an installation of 200 hollow log coffins commemorating all First Nations people who, since 1788, have lost their lives.

Special Event

Judy Watson & Helen Johnson In Conversation
Reconciliation Week

Past Event
Two women sit on a timber bench, within a gallery space, surrounded by paintings and work of art suspended from the ceiling and walls

Thu 2 Jun 2022, 6–7pm AEST

Wheelchair Accessible Auslan Interpretation Open Captioning

The Aboriginal Memorial moves to heart of the National Gallery of Australia as part of major revitalisation project

A detailed view the memorial poles from The Aboriginal Memorial

The Aboriginal Memorial

Three men standing among a Bruce, Djon and Nick hollow log coffins from central Arnhem Land

On the eve of our 40th anniversary, the Gallery re-examines The Aboriginal Memorial.

National Gallery of Australia

A white rectangle with the National Gallery logo in black in the centre. The logo says 'NGA' in styled geometric block letters that form an inverse triangle shape.
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