Anthony Caro, 1924-2013

Anthony Caro at Tyler Graphics, 1987. Photograph: Marabeth Cohen-Tyler.
The Kenneth E. Tyler collection team remembers Anthony Caro, one of the great modernist sculptors whose explorations of space, form and materials underscore his distinguished career.
It is with regret that we report the death of Anthony Caro, who passed away on October 23 at the age of 89. Caro was best known for his abstract sculptures in steel and other metals. Duccio variations no.7 – a generous donation to the American Friends of the National Gallery of Australia by Ken and Marabeth Tyler – is currently on display in the NAB Sculpture Gallery. A monumental work in sandstone and steel, the sculpture is one of seven created as a response to Duccio’s The Annunciation in association with the Encounters exhibition staged by the National Gallery, London in Summer 2000.
As well as his work in metal, Caro explored the medium of paper pulp at Tyler Graphics Ltd. Caro enjoyed working with paper pulp as it allowed him “…to get closer to the graphic idea, to painting ideas and away from being so sculptural.” By manipulating sheets of Tyler’s handmade paper while still damp, Caro created soft, undulating curves which he embellished with intaglio printing processes, drawing and painting. The resulting works are delicate explorations of the sculptural possibilities of paper that blur the boundaries between painting, drawing and sculpture.

Anthony Caro at Kenneth Tyler’s home in Bedford Village, 1982. Photograph: Kenneth Tyler.

Anthony Caro and Clement Greenberg at Tyler Graphics artist’s studio, Mount Kisco, New York, 1981. Photograph: Lindsay Green.

Anthony Caro and Clement Greenberg at Tyler Graphics artist’s studio, Mount Kisco, New York, 1981. Photograph: Lindsay Green.

Anthony Caro painting his ‘Paper Sculpture #114’ from his ‘Paper Sculpture’ series, Tyler Graphics Ltd.artist’s studio, Bedford Village, New York, 1981. Photograph: Lindsay Green.

Anthony Caro painting his ‘Paper Sculpture #114’ from his ‘Paper Sculpture’ series, Tyler Graphics Ltd.artist’s studio, Bedford Village, New York, 1981. Photograph: Lindsay Green.

Anthony Caro working on his ‘Hand Coloured Paper Sculpture’ series, Tyler Graphics Ltd. artist’s studio, Mount Kisco, New York, 1993. Photograph: Marabeth Cohen-Tyler.

Various materials used by Anthony Caro for creating his ‘Hand Coloured Paper Sculptures’ series, Tyler Graphics Ltd.artist’s studio, Mount Kisco, New York, 1994. Photograph: Marabeth Cohen-Tyler.

Ken Tyler and Anthony Caro working on his ‘Hand Coloured Paper Sculpture’ series, Tyler Graphics Ltd. artist’s studio, Mount Kisco, New York, 1993. Photograph: Marabeth Cohen-Tyler.
The Gallery has recently received a thoughtful donation of one such sculpture – #4 Big white – by Penelope Seidler AM. This work is a significant addition to the Gallery’s International Prints, Drawings, and Illustrated Books Department and exemplifies a unique moment in Caro’s oeuvre. The piece will complement three sculptural pieces from the paper pulp series held in the Kenneth Tyler Printmaking Collection.

Anthony Caro, Paper sculpture no.4 'Big White', 1982, National Gallery of Australia, Kamberri/Canberra, Donated by Penelope Seidler AM 2013. Donated through the Australian Government's Cultural Gifts Program.
To learn more visit the Kenneth E. Tyler collection website or Anthony Caro's artist page.