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All stories by David Greenhalgh

  • The artist Frank Stella stands with a cigar in hand bemusedly tilting his head as he interogates his recent masterpieces in print. Nearby the master printer Kenneth Tyler muses on the quality of the paper on which he has printed. His gigantic mustache seems to weigh him down heavily, judging by his posture.
    In Conversation

    Reflections on a life in print: Kenneth Tyler in conversation

    By David Greenhalgh

  • The artist Ellsworth Kelly looking on a wall of colourful paper pulp artworks from his Colored Paper Images series.
    Essay

    Bending the rules: Ellsworth Kelly's Colored Paper Images

    By David Greenhalgh

  • Man in an art workshop using a large paint roller to press paint ink on stone
    Feature

    Buy the Whole Damn Thing: The Tyler Collection

    By David Greenhalgh

  • Photo Essay

    Curator's Top 6

    By David Greenhalgh

  • A black and white image of two men sitting around a rectangular table with crockery and food, and a brick wall behind them
    Feature

    Public art, private lives: Rauschenberg & Johns

    By David Greenhalgh

  • Abstract print in blue, green, white and tan inks with '2A' written in pencil in centre
    Essay

    Transparency and noise: Sonnier’s screenprints

    By David Greenhalgh

  • Essay

    How to make a bomb-shaped sculpture

    By David Greenhalgh

  • Joan Mitchell sits on a stool in front of two large painted canvasses
    Feature

    As the mind sees it

    By David Greenhalgh

  • Image from a contact sheet in the Kenneth Tyler Collection archive showing Charles White working at Gemini Limited
    Feature

    The reclamation of an image

    By David Greenhalgh

  • Pop art of large scale brushstrokes
    Essay

    To make a brushstroke look like a brushstroke

    By David Greenhalgh

  • Print of a car with a blue see-through overlay
    Feature

    Plastics and pathos: The making of Oldenburg’s Airflow

    By David Greenhalgh

  • Colour photograph of David Hockney holding a camera to his eye in front of Oaxaca ruins
    Feature

    Travelling through images: David Hockney in Mexico

    By David Greenhalgh

  • Portrait of Garo Antreasian
    Essay

    Garo Antreasian: A print pioneer

    By David Greenhalgh

  • Scrapbook page with 4 photographs of artists in the print studio
    Essay

    Clogs, pulp and pressed flowers: Rauschenberg and Richard de Bas

    By David Greenhalgh

  • Black and White photograph of Robert Rauschenberg in the Miami Herald archives, 1979.
    Feature

    Paper Rain: Rauschenberg, the document & archive

    By David Greenhalgh

  • Malcolm Morley and Kenneth Tyler using lithographic tusche in preparation for blue colour separation for ‘Pamela running before the wind with a Dutch lighthouse’
    Article

    Malcolm Morley (1931-2018)

    By David Greenhalgh

  • Multicoloured abstract print
    From the Archive

    Page turners: artists’ books

    By David Greenhalgh

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Yuuma, Gurruburri

The National Gallery acknowledges the Ngunnawal and Ngambri peoples, the Traditional Custodians of the Kamberri/Canberra region, and recognises their continuous connection to culture, community and Country.

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The National Gallery acknowledges the First Peoples of this land and recognises their continuous connection to culture, community and Country

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