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  • A picture of three bronze sculptures of Cambodian deities
    Article

    Right of return: Cambodia

    By National Gallery

  • Print of children wearing green and black playing tug of war
    Article

    Prints, pigments & poison

    By Andrea Wise

  • Article

    Right of return: Pakistan

    By National Gallery

  • Senior Curator Grace Vele with NMAG staff cataloguing the objects into the NMAG collection.
    Article

    Right of return: Papua New Guinea

    By Crispin Howarth

  • A limestone carved sculptured of people worshipping a diety
    Article

    Right of return: India

    By National Gallery

  • Article

    Right of return: New Zealand

    By National Gallery

  • Article

    The right of return

    By Ian McDonald

  • First Nations work of art detail of painted black hollow logs on display in dark exhibition space
    Article

    Our Culture is Alive

    By Frances Rrikili

  • Article

    National Gallery recognises launch of Digital Benin

    By National Gallery

  • Photograph of man sitting and woman standing looking at artmaking
    Article

    Art & Friends

    By Adriane Boag

  • Four women in cocktail atire stand in front of a brightly coloured painting by Diena Georgetti
    Article

    The Exhibitionists

    By National Gallery

  • Article

    Indigenous Arts Leadership Program

    By National Gallery

  • Article

    40 years of the National Gallery: Nick Mitzevich

    By Nick Mitzevich

  • A photograph from the 1980s shows a group of people on stools, sitting in front of Jackson Pollock's Blue poles, with a guide discussing the work.
    Article

    Forty years of guiding

    By Kerin Cox

  • Photo image of two curved and slim abstract sculptures, one in black and one in white
    Article

    How to fly Brancusi's Birds

    By Beata Tworek-Matuszkiewicz

  • Article

    Old people’s home: keep on rolling

    By Kim Goldsmith

  • Article

    PLACE

    By Bruce Johnson Mclean

  • Three men standing among a Bruce, Djon and Nick hollow log coffins from central Arnhem Land
    Article

    The Aboriginal Memorial

    By National Gallery

  • A photo of a woman sitting down listening to an audio tour.
    Article

    Seeing through sound

    By Brittany Burgess, Keir Winesmith

  • A small prehistoric stone carved object in the form of an animal the resembles a long-beaked echidna.
    Article

    Analysing the Ambum Stone

    By Beata Tworek-Matuszkiewicz

  • Article

    Betty Churcher AO – still excellent

    By Keren Nicholson

  • Photo of a man sitting on the side of a bathtub covered with soapy foam
    Article

    Joel Bray

    By Peter Johnson

  • A soft sculpture depiction of Parliament House surrounded by soft sculptures of people and native Australian animals and protest signs
    Article

    Blak power

    By Nanette Sharpe, Marlene Rubuntja

  • Cream coloured work of art with a dark brown crescent moon shape and a cross or star shape in the centre
    Article

    Mabel Juli: the moon and the stars

    By National Gallery

  • Black and white print of the words 'clear vision' written backwards
    Article

    Reading, writing and performing clear vision

    By Ruby Rossiter

  • Photograph of conservator checking small object with light
    Article

    Inside Vivienne Binns’s Tower of Babel

    By Alysha Redston

  • Wooden banner intricately carved with Maori design
    Article

    Stories from the Collection Study Room

    By National Gallery

  • A group of young people stand posed in front of a wall
    Article

    Summer Scholarship

    By Adriane Boag

  • Photograph of Bruce Beresford and Jeffery Smart in the artist's home
    Article

    Jeffrey and Me

    By Bruce Beresford

  • Article

    Wonder Woman

    By Patricia Piccinini

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Two of the national gallery's curators discussing paintings on the portrait wall at the entrance to the know my name exhibition

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Yuuma, Gurruburri

The National Gallery acknowledges the Ngunnawal and Ngambri peoples, the Traditional Custodians of the Kamberri/Canberra region, and recognises their continuous connection to culture, community and Country.

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The National Gallery acknowledges the First Peoples of this land and recognises their continuous connection to culture, community and Country

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