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Stories archive for 2016

  • Ed Baynard pictured in front of his 15 colour woodblock print ‘The Blue Tulips’
    The Kenneth Tyler Collection

    Tribute to Ed Baynard

    By Marabeth Cohen-Tyler, Barbara Delano

  • Photograph of Frank Stella: The Kenneth E. Tyler Print Collection at the Orde Poyton Gallery
    The Kenneth Tyler Collection

    Installing ‘Frank Stella: The Kenneth Tyler Print Collection’

  • Photograph of Ed Baynard drawing on an aluminium plate for ‘The sunflower
    The Kenneth Tyler Collection

    Vale Ed Baynard (1940-2016)

    By Julia Greenstreet

  • a bright screenprint with geometric patterns and shapes collaged together
    The Kenneth Tyler Collection

    Frank Stella: Saving abstraction

  • Nancy Graves colouring her intaglio print edition ‘Muin’ with oil stick crayon
    The Kenneth Tyler Collection

    Technique in Focus: Nancy Graves’ Synecdoche

  • Exhibition poster for Frank Stella: The Kenneth Tyler Collection
    The Kenneth Tyler Collection

    Frank Stella exhibition coming soon!

  • Masami Teraoka's ‘Kunisada eclipsed’ print
    The Kenneth Tyler Collection

    Technique in Focus: Masami Teraoka’s ‘Hawaii snorkel’ series

  • Ellsworth Kelly and Kenneth Tyler spoon coloured pulp through a plastic image mould for ‘Colored paper image XXI’
    The Kenneth Tyler Collection

    Ellsworth Kelly, 1923–2015

    By Julia Greenstreet

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Stories & Ideas

Two of the national gallery's curators discussing paintings on the portrait wall at the entrance to the know my name exhibition

National Gallery On Demand

It's a portrait image of Urs Fischer from in front and below, so he's looking at his phone. Not yet melted enough to have any dripping wax bits

ARTONVIEW Magazine

Two Artonview magazines stacked on top of each other on a wooden table next to a glass vase

Virtual Tours

Two people wearing virtual reality headsets sit opposite each other in an art installation

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Yuuma, Gurruburri

The National Gallery acknowledges the Ngunnawal and Ngambri peoples, the Traditional Custodians of the Kamberri/Canberra region, and recognises their continuous connection to culture, community and Country.

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Opening Acknowledgment of Country

The National Gallery acknowledges the First Peoples of this land and recognises their continuous connection to culture, community and Country

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