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Stories archive for 2019

  • Black and white photo of The embossing plate for ‘Light bulb; from Lead relief series’ is cleaned by an unidentified staff member
    Article

    Perception Test

    By Anja Loughhead

  • Colour photograph of David Hockney holding a camera to his eye in front of Oaxaca ruins
    Feature

    Travelling through images: David Hockney in Mexico

    By David Greenhalgh

  • A painting of boats in a gold frame
    Photo Essay

    Monet framed

    By Simeran Maxwell

  • Two tiwi sculptures in front of a painting of a cow
    Essay

    Voice. Treaty. Truth. in art

    By Kelli Cole

  • A man in a white t-shirt smiles at the camera
    Article

    Contemporary Worlds: Yudha Fehung

    By Maddy Merzvinskis

  • Photo Essay

    Photo blog: Cazneaux portrait restored to former glory

    By National Gallery

  • A man stands in front of a house
    Essay

    Contemporary Worlds: Duto Hardono

    By Grace Chen, Felicia Grant

  • A man receiving Moko, a ceremonial tattoo
    Feature

    Tā Moko: powerful Māori cultural expression

    By Crispin Howarth

  • Photograph of trees and fog in garden
    Article

    Where earth meets sky, find Fujiko Nakaya

    By Lucina Ward

  • Portrait of Garo Antreasian
    Essay

    Garo Antreasian: A print pioneer

    By David Greenhalgh

  • A close up picture of a moon created with pin pricks on paper
    In Conversation

    Tracing paths of nuclear disasters, chemical fallout and conflict with Stanislava Pinchuk

    By Yvette Dal Pozzo

  • An installation by Joseph Beuys with seven large metal poles coming down a wall and across the floor.
    Feature

    Joseph Beuys was here, 1982

    By National Gallery

  • Photo of Joan Mitchell and Ken Tyler
    Article

    Reflections on - Bedford II

    By Ella Morrison

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Two of the national gallery's curators discussing paintings on the portrait wall at the entrance to the know my name exhibition

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Yuuma, Gurruburri

The National Gallery acknowledges the Ngunnawal and Ngambri peoples, the Traditional Custodians of the Kamberri/Canberra region, and recognises their continuous connection to culture, community and Country.

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Opening Acknowledgment of Country

The National Gallery acknowledges the First Peoples of this land and recognises their continuous connection to culture, community and Country

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