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Stories archive for 2022

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  • Collection

    The Curator Series

  • Australian Art

  • Black rotary telephone with circular wheel finger dial with lobster claw as a the handset
    Ideas & Initiatives

    Surrealism revolution

    By Keren Nicholson

  • A Moment in Time

  • Photograph of man sitting and woman standing looking at artmaking

    Art & Friends

  • Four women in cocktail atire stand in front of a brightly coloured painting by Diena Georgetti

    The Exhibitionists

  • Digital Young Writers Mentorship Program

    Contemporary Resonances of Art in the Age of AIDS

    By Aisyah Aaqil Sumito

  • Young man sitting on red carpeted amphitheatre watching a video installation
    Digital Young Writers Mentorship Program

    ASSEMBLY: an annotation

    By Hen Vaughan

  • Digital Young Writers Mentorship Program

    A Modern Approach to Exhibiting Costume

    By Michelle Guo

  • Growing a Sculpture Garden

  • Touring the collection

  • First Nations

    Ever Present: First Peoples Art of Australia

    By Tina Baum

  • Digital Young Writers Mentorship Program

    Is social media affecting how we engage with art?

    By Aisyah Aaqil Sumito

  • Artist Lola Greeno stands in front of a rock at Low Head beach, Tasmania.
    First Nations

    Lola Greeno: Reviving the art of shell necklace making

  • First Nations

    Walk in their shoes

  • Photo of installation artwork of material hanging off chair
    Digital Young Writers Mentorship Program

    Deborah Prior: On the third day

    By Hen Vaughan

  • Image of HOME|LAND exhibition
    Digital Young Writers Mentorship Program

    HOME|LAND

    By Jade Irvine

  • A surrealist, a forger and the return of ancestral remains

    By Crispin Howarth

  • White gallery walls feature a small painting machine device in the top right hand corner. Black ink paint is sprayed across the white wall.

    Love machine

    By Lucina Ward

  • Emily Kame Kngwarreye

    By Kelli Cole

  • Bedroom Nocturne: When Intricacy Meets Intimacy

  • Indigenous Arts Leadership Program

  • National Gallery building facade lit up by video projections

    Enlightening the National Gallery

  • Large scale installation - black wall background with brigth multi-coloured fluorescent lights

    Collecting the artistic voices of Indonesia

    By Carol Cains

  • 40 Years of Collecting

  • Wide gallery space, white walls featuring a plinth in the centre with bright, glittering mardi gras costumes and behind it a poster wall

    Don't Leave Me This Way

    By Keren Nicholson

  • 40 years of the National Gallery: Nick Mitzevich

    By Nick Mitzevich

  • A photograph from the 1980s shows a group of people on stools, sitting in front of Jackson Pollock's Blue poles, with a guide discussing the work.

    Forty years of guiding

    By Kerin Cox

  • Digital Young Writers Mentorship Program

    Kara Walker’s Monument

    By Jade Irvine

  • Man in an art workshop using a large paint roller to press paint ink on stone
    The Kenneth Tyler Collection

    Buy the Whole Damn Thing: The Tyler Collection

    By David Greenhalgh

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Stories & Ideas

Two of the national gallery's curators discussing paintings on the portrait wall at the entrance to the know my name exhibition

Interviews, artist profiles, behind the scenes views and other stories from within the Gallery and across Australia.

National Gallery On Demand

It's a portrait image of Urs Fischer from in front and below, so he's looking at his phone. Not yet melted enough to have any dripping wax bits

Browse hundreds of videos and audios

The Annual

A new publication capturing the year that was in art and looking ahead

Virtual Tours

Two people wearing virtual reality headsets sit opposite each other in an art installation

Take an interactive look inside our exhibition spaces

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Yuuma, Gurruburri

The National Gallery acknowledges the Ngunnawal and Ngambri peoples, the Traditional Custodians of the Kamberri/Canberra region, and recognises their continuous connection to culture, community and Country.

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Opening Acknowledgment of Country

The National Gallery acknowledges the First Peoples of this land and recognises their continuous connection to culture, community and Country

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Aerial view of artist Lola Greeno walking along Rocky Beach
Aerial view of artist Lola Greeno walking along Rocky Beach
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