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Gallery Policies

A large metal sculpture of an Indigenous Australian fish trap is hanging from the ceiling in a large gallery foyer

It is an essential and ongoing part of responsible collection management to continuously review and interrogate the collection. New information about the collection is considered in relation to our policies and procedures, in particular the Due Diligence and Provenance Policy and Provenance decision-making framework. Provenance decision-making at the National Gallery is determined by an evidence-based approach evaluated on the balance of probabilities, anchored in robust legal and ethical decision-making principles and considerations.

For more detailed information on policies relating to acquiring and exhibiting works of art at the National Gallery of Australia, see:

  • Due Diligence and Provenance Policy
  • Inward Loans Policy
  • Outward Loans Policy
  • Art Acquisition Policy
  • Art Deaccessioning Policy
  • Aboriginal and Torres Strait Islander Cultural Rights and Engagement Policy
  • Exhibitions Policy

Related


Provenance

Gayer-Anderson Collection

Painting of a man seated on an elephant. Two men hold spears with one being tripped by the elephant's trunk.

We are keen to hear from you about this project, so please share your knowledge.

Child Safety
Statement of Compliance

The entrance to the national gallery with some sculptures visible

The National Gallery of Australia is committed to providing a stimulating, safe and friendly environment for children to enjoy and learn about art.

Provenance

Southeast Asia

A red, green and blue tapestry richly embroidered with gold thread forming flowering trees and a pair of bouraq, a mythical winged animal

The NGA celebrates the remarkable art of Southeast Asia.

Provenance

Understanding where our collection comes from.

Policies & Plans

the edge of a large concrete brutalist building against a blue sky with a giant spherical sculpture suspended in the air

The functions, policies and plans of the National Gallery, the Commonwealth of Australia's national cultural institution for the visual arts.

Art Enquiries & Claims Handling Procedure

In a high-ceilinged gallery space a woman walks near a wall pasted completely with coloured squares of writing

The Gallery invites people to make contact if they have a concern about a work that the Gallery owns, has borrowed, or is about to borrow.

Yuuma, Gurruburri

The National Gallery acknowledges the Ngunnawal and Ngambri peoples, the Traditional Custodians of the Kamberri/Canberra region, and recognises their continuous connection to culture, community and Country.

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Ngunnawal and Ngambri Country
Parkes Place East, Parkes ACT 2600

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Opening Acknowledgment of Country

The National Gallery acknowledges the First Peoples of this land and recognises their continuous connection to culture, community and Country

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Aerial view of artist Lola Greeno walking along Rocky Beach
Aerial view of artist Lola Greeno walking along Rocky Beach
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