Jeffrey Smart
Media Kit
Key information
The National Gallery has developed these online media kits for media usage only.
By downloading these images you are agreeing to the following:
Images are used exclusively by media, and only for purposes of publicity of the National Gallery of Australia, falling under the special exemptions of Fair dealing for purpose of reporting news or Fair dealing for purpose of criticism or review, as set out in the Copyright Act 1968; images must be accompanied by the provided caption; reproduction of images must respect the artist’s moral rights i.e., no cropping or overprinting on images.
Contact
For enquiries, please contact
Jessica Barnes
Communications Officer
T +61 2 6240 6431
E media@nga.gov.au
‘Suddenly I will see something that seizes me — a shape, a combination of shapes, a play of light or shadows, and I send up a prayer because I know I have seen a picture.’
- JEFFREY SMART
One of Australia’s most celebrated artists, Jeffrey Smart sought inspiration from the world around him — looking to the environment of urban and industrial modernity — which he transformed through his imaginative sense of theatre and intimate understanding of geometry and composition.
Jeffrey Smart is not a retrospective but rather considers Smart’s artistic legacy thematically. Beginning with his significant foundational years in Adelaide through to his final years in Tuscany, themes include theatre of the real and the uncanny, surveillance, abstraction and figuration, portraiture, and art about art.
Exhibition highlights include early works such as Robe and the small, surreal Strange Street, his last major painting Labyrinth, the dreamlike Jacob descending, the playfully referential Corrugated Gioconda, and several portraits, such as Portrait of Margaret Olley at the Louvre Museum, Portrait of Clive James, Portrait of David Malouf, and Self-Portrait, Procida.
These potent and intriguing images have become emblematic of the 20th and 21st century urban experience.