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Australian and International Conventions

Acquiring and Borrowing Cultural Material

A large spherical sculpture hanging from large wires in the sky is visible through a gap in tree branches

The National Gallery adheres to the principles of the 1970 UNESCO Convention on the Means of Prohibiting and Preventing the Illicit Import, Export and Transfer of Ownership of Cultural Property. The obligations and principles under this treaty are reflected in the international and Australian codes of museum ethics that the National Gallery subscribes to.

The National Gallery is also subject to Australian legislation including the Protection of Movable Cultural Heritage Act 1986. In 2014 the Ministry for the Arts released the Australian Best Practice Guide to Collecting Cultural Material. The guide outlines the legal obligations and ethical standards to which Australia’s public collecting institutions should adhere when acquiring and borrowing cultural material. The National Gallery is committed to ensuring the guidelines are followed.

Related


Provenance

Photograph of building exterior at night with camera facing up

Environmental Policy Statement

Close up photograph of ferns in Fiona Hall's Fern Garden
Provenance

Gayer-Anderson Collection

Painting of a man seated on an elephant. Two men hold spears with one being tripped by the elephant's trunk.

Aboriginal & Torres Strait Islander Art Provenance Project

Painting of native grasses after the rain in pink, yellow, black, and white.

Asian Art Provenance Project

Photograph of women walking in front of large colourful painting by Rodel Tapaya.

Policies & Plans

the edge of a large concrete brutalist building against a blue sky with a giant spherical sculpture suspended in the air
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Yuuma, Gurruburri

The National Gallery acknowledges the Ngunnawal and Ngambri peoples, the Traditional Custodians of the Kamberri/Canberra region, and recognises their continuous connection to culture, community and Country.

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Opening Acknowledgment of Country

The National Gallery acknowledges the First Peoples of this land and recognises their continuous connection to culture, community and Country

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