Ever Present: First Peoples Art of Australia
Media Kit

Key information
The National Gallery has developed these online media kits for media usage only.
By downloading these images you are agreeing to the following:
Images are used exclusively by media, and only for purposes of publicity of the National Gallery of Australia, falling under the special exemptions of Fair dealing for purpose of reporting news or Fair dealing for purpose of criticism or review, as set out in the Copyright Act 1968; images must be accompanied by the provided caption; reproduction of images must respect the artist’s moral rights i.e., no cropping or overprinting on images.
Contact
For general enquiries, please contact
Jessica Barnes
Senior Communications & Content Officer, Touring
T +61 2 6240 6431
E media@nga.gov.au
'“Ever present” is a very powerful statement. It reminds me that my culture has been here for countless generations, and I am not going anywhere. I am a result of my ancestors who walked before me and I am a vessel that will continue to teach the generations to come so that our culture, our people will be forever present.’
Ever Present: First Peoples Art of Australia surveys historical and contemporary works by Aboriginal and Torres Strait Islander artists from across Australia. Drawn from the national collection and Wesfarmers Collection of Australian Art, the works included in this exhibition bridge time and place and are interconnected through story and experience.
Although Ever Present is a celebration of Aboriginal and Torres Strait Islander art, it does not shy away from Australia’s complex histories. The works challenge stereotypes about First Nations people and what defines their art. The artists contest populist views of Australian history, using art as a tool of resistance and replacing physical weaponry with wit, satire and juxtaposition to confront viewers and to encourage conversations that are essential to dispute outdated myths and ideologies.
Ever Present includes the work of over 170 artists as it considers seven overarching and interlinked themes: Ancestors + Creators; Country + Constellations; Community + Family; Culture + Ceremony; Trade + Influence; Resistance + Colonisation; and Innovation + Identity.
Together the works underline the ever-present existence of the First Peoples of Australia.
Ever Present: First Peoples Art of Australia is a National Gallery Touring Exhibition supported by Wesfarmers Arts.
DOWNLOAD IMAGES
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Ever Present: First Peoples Art of Australia, installation view, Auckland Art Gallery Toi o Tāmaki 2023, courtesy Auckland Art Gallery Toi o Tāmaki, photo by David St George.
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Ever Present: First Peoples Art of Australia, installation view, Auckland Art Gallery Toi o Tāmaki 2023, courtesy Auckland Art Gallery Toi o Tāmaki, photo by David St George.
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Ever Present: First Peoples Art of Australia, installation view, Auckland Art Gallery Toi o Tāmaki 2023, courtesy Auckland Art Gallery Toi o Tāmaki, photo by David St George.
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Ever Present: First Peoples Art of Australia, installation view, Auckland Art Gallery Toi o Tāmaki 2023, courtesy Auckland Art Gallery Toi o Tāmaki, photo by David St George.
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Ever Present: First Peoples Art of Australia, installation view, Auckland Art Gallery Toi o Tāmaki 2023, courtesy Auckland Art Gallery Toi o Tāmaki, photo by David St George.
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Ever Present: First Peoples Art of Australia, installation view, Auckland Art Gallery Toi o Tāmaki 2023, courtesy Auckland Art Gallery Toi o Tāmaki, photo by David St George.
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Ever Present: First Peoples Art of Australia, installation view, Auckland Art Gallery Toi o Tāmaki 2023, courtesy Auckland Art Gallery Toi o Tāmaki, photo by David St George.
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Ever Present: First Peoples Art of Australia, installation view, Auckland Art Gallery Toi o Tāmaki 2023, courtesy Auckland Art Gallery Toi o Tāmaki, photo by David St George.
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Ever Present: First Peoples Art of Australia, installation view, Auckland Art Gallery Toi o Tāmaki 2023, courtesy Auckland Art Gallery Toi o Tāmaki, photo by David St George.
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Ever Present: First Peoples Art of Australia, installation view, Auckland Art Gallery Toi o Tāmaki 2023, courtesy Auckland Art Gallery Toi o Tāmaki, photo by David St George.
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Ever Present: First Peoples Art of Australia, installation view, Auckland Art Gallery Toi o Tāmaki 2023, courtesy Auckland Art Gallery Toi o Tāmaki, photo by David St George.
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Ever Present: First Peoples Art of Australia, installation view, Auckland Art Gallery Toi o Tāmaki 2023, courtesy Auckland Art Gallery Toi o Tāmaki, photo by David St George.
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Ever Present: First Peoples Art of Australia, installation view, Auckland Art Gallery Toi o Tāmaki 2023, courtesy Auckland Art Gallery Toi o Tāmaki, photo by David St George.
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Ever Present: First Peoples Art of Australia, installation view, Auckland Art Gallery Toi o Tāmaki 2023, courtesy Auckland Art Gallery Toi o Tāmaki, photo by David St George.
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Ever Present: First Peoples Art of Australia, installation view, Auckland Art Gallery Toi o Tāmaki 2023, courtesy Auckland Art Gallery Toi o Tāmaki, photo by David St George.
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Ancestor, people not recorded, Torres Strait Islander people, Mask, 19th Century, National Gallery of Australia, Kamberri/Canberra
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Albert Namatjira, Quarta Tooma – Ormiston Gorge, 1939, The Wesfarmers Collection of Australian Art, Boorloo/Perth, © Albert Namatjira/Copyright Agency, 2022.
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Robert Campbell Jr, Nagku people, Aboriginal camp at sunset, 1988, the Wesfarmers Collection of Australian Art, Boorloo/Perth © Robert Campbell Jr
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Andrina Kantilla, Tiwi people, Batik textile, 1989, National Gallery of Australia, Kamberri/Canberra © Tiwi Designs
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Yvonne Koolmatrie, Ngarrindjeri people, Eel trap, 1992, National Gallery of Australia, Kamberri/Canberra © Yvonne Koolmatrie
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Julie Dowling, Badimaya people, Self-portrait: in our country , 2002, National Gallery of Australia, Kamberri/Canberra © Julie Dowling/Copyright Agency, 2022
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Christopher Pease, Wrong side of the Hay (A deserted Indian village), 2005, National Gallery of Australia, Kamberri/Canberra, The Wesfarmers Collection of Australian Art, Boorloo/Perth © Christopher Pease
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Daniel Boyd, Kudjla/Gangalu/Kuku Yalanji/Jagara/Wangerriburra/Bandjalung peoples, Treasure Island, 2005, National Gallery of Australia, Kamberri/Canberra © Daniel Boyd
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Tony Albert, Girramay/Yidinji/Kuku-Yalanji peoples, ASH on Me, 2008, National Gallery of Australia, Kamberri/Canberra, © the artist and Sullivan+Strumpf, Gadigal Nura/Sydney
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Michael Cook, Bidjara people, Undiscovered #4 from Undiscovered series, National Gallery of Australia, Kamberri/Canberra, © the artist and THIS IS NO FANTASY
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Reko Rennie, Kamilaroi/Gamilaraay/Gummaroi people, Message Stick (Green), 2011, National Gallery of Australia, Kamberri/Canberra © Reko Rennie
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Daniel Walbidi, Mangala/Yulparija peoples, Wirnpa 2011, synthetic polymer paint on linen, the Wesfarmers Collection of Australian Art, Boorloo/Perth, © Daniel Walbidi/Copyright Agency, 2022
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Judy Watson, Waanyi people, stake, 2010, The Wesfarmers Collection of Australian Art, Boorloo/Perth, © Judy Watson/Copyright Agency, 2022
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Mabel Juli, Gija people, Wardal and Garnkeny, 2011, The Wesfarmers Collection of Australian Art, Boorloo/Perth, © Mabel Juli/Copyright Agency, 2021.
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Richard Bell, Kamilaroi/Kooma/Jiman/Gurang Gurang peoples, Omega (Bell’s Theorem), 2013, The Wesfarmers Collection of Australian Art, Boorloo/Perth © Richard Bell
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Raymond Zada, Barkindji people, At Face Value, 2013, National Gallery of Australia, Kamberri/Canberra © Raymond Zada
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Sebastian Arrow, Yawuru people, Jalinyi, 2016, National Gallery of Australia, Kamberri/Canberra © Sebastian Arrow
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Lola Greeno, Pakana Peoples, Blue Ceremonial King Maireener necklace, 2016, National Gallery of Australia, Kamberri/Canberra © Lola Greeno
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National Gallery Curator of Aboriginal and Torres Strait Islander Art, Tina Baum, Gulumirrgin (Larrakia)/Wardaman/Karajarri peoples pictured with Jonathan Jones, Wiradjuri/Kamilaroi peoples, Dr Uncle Stan Grant Snr AM, Wiradjuri people, collaborator, Beatrice Murray, Wiradjuri people, collaborator, untitled (walam-wunga.galang), 2020–21, National Gallery of Australia, Kamberri/Canberra © Jonathan Jones
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(left to right) Tina Baum, r e a, Christopher Pease, Bruce Johnson-McLean and Nathan Pōhio at the soft opening of Ever Present: First Peoples Art of Australia at Auckland Art Gallery Toi o Tāmaki, 2023, courtesy of Auckland Art Gallery Toi o Tāmaki, photography by David St George
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National Gallery Assistant Director First Nations Engagement and Head Curator, First Nations Art Bruce Johnson-McLean playing the yidaki at the soft opening of Ever Present: First Peoples Art of Australia, Auckland Art Gallery Toi o Tāmaki, 2023, courtesy of Auckland Art Gallery Toi o Tāmaki, photography by David St George
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The soft opening of Ever Present: First Peoples Art of Australia, Auckland Art Gallery Toi o Tāmaki, 2023, courtesy of Auckland Art Gallery Toi o Tāmaki, photography by David St George
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The soft opening of Ever Present: First Peoples Art of Australia, Auckland Art Gallery Toi o Tāmaki, 2023, courtesy of Auckland Art Gallery Toi o Tāmaki, photography by David St George
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The soft opening of Ever Present: First Peoples Art of Australia, Auckland Art Gallery Toi o Tāmaki, 2023, courtesy of Auckland Art Gallery Toi o Tāmaki, photography by David St George
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Various works, installation view, Ever Present: First Peoples Art of Australia, National Gallery Singapore, 2022. Photo by: Joseph Nair, Memphis West Pictures
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Various works, installation view, Ever Present: First Peoples Art of Australia, National Gallery Singapore, 2022. Photo by: Joseph Nair, Memphis West Pictures
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Various works, installation view, Ever Present: First Peoples Art of Australia, National Gallery Singapore, 2022. Photo by: Joseph Nair, Memphis West Pictures