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The Curator Series

Get to know the National Gallery curatorial team as they share insights into key works from the collection.


19 December 2022
Read time 13 minutes

Carol Cain on Mochizuki IV

Not only do we love the insights of Senior Curator of Asian Art, Carol Cains on Mochizuki IV, but we also love her effortlessly matching the work.

Deidre Cannon on Jenny Watson

Curatorial Assistant of Australian Art, Deidre Cannon explores the materials, the influences and the symbols in Jenny Watson's The Horse hospital in our Australian art galleries.

David Greenhalgh on Robert Rauschenberg’s Pull

Curator David Greenhalgh is back to give us some insights into Robert Rauschenberg's Pull in Rauschenberg & Johns: Significant Others.

Sally Foster on Kara Walker

Our Senior Curator of Prints and Drawings Sally Foster introduces Kara Walker's immense work Your World is About to Change - a new acquisition for the National Gallery.

David Greenhalgh on Robert Rauschenberg’s Booster

Let curator David Greenhalgh talk you through Robert Rauschenberg's Booster – a self-portrait of inner man..

Rebecca Blake on Fiona Hall

Assistant for Australia Art Rebecca Blake explores Fiona Hall's exquisite and intricate Paradisus Terrestris in Australian Art.

Anne O’Hehir on Claude Cahun and Marcel Moore

Curator of Photography Anne O'Hehir introduces us to the creative relationship of Claude Cahun and Marcel Moore and the last remaining photocollage created for their book Aveux non avenus (unavowed confessions).

David Greenhlagh on Jasper Johns

Decoding Jasper Johns Color numeral series with curator David Greenhalgh in Rauschenberg & Johns: Significant Others.

Dr Rebecca Edwards on Inge King

Curator of Australian Art, Dr Rebecca Edwards shares a love for Inge King's work, looking at King's Figure in oak, in our Australian art galleries.

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Yuuma, Gurruburri

The National Gallery acknowledges the Ngunnawal and Ngambri peoples, the Traditional Custodians of the Kamberri/Canberra region, and recognises their continuous connection to culture, community and Country.

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The National Gallery acknowledges the First Peoples of this land and recognises their continuous connection to culture, community and Country

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Aerial view of artist Lola Greeno walking along Rocky Beach
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