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The Kenneth Tyler Collection

Public art, private lives: Rauschenberg & Johns

By David Greenhalgh
Studio Spotlight

Family matters

By Cressida Campbell, Nell Campbell, Sarina Noordhuis-Fairfax
Behind the Scenes

Seeing through sound

By Brittany Burgess, Keir Winesmith
Ideas & Initiatives

The red thread of history

By Tina Baum
Ideas & Initiatives

Betty Churcher AO – still excellent

By Keren Nicholson
Ceremony

Penny Evans
Ideas & Initiatives

Gender equity in the arts and culture context
Blak power
First Nations

Mantua Nangala

By Hetti Perkins
Ceremony

Mind your language

By Bruce Johnson Mclean
Ceremony

S.J Norman

By Aidan Hartshorn
First Nations

Gutiŋarra Yunupiŋu – Communicating Country
First Nations

Mabel Juli: the moon and the stars
Ceremony

James Tylor
First Nations

Remembering Mrs N. Yunupiŋu
Jeffrey Smart

The Sitters
First Nations

Leading the Way

By Ian R.T. Colless
Sarah Lucas

Slipping Through the Veil

By Peter Johnson
Inside Vivienne Binn’s Tower of Babel

By Alysha Redston
Ceremony

Madhan warrugarra wirimbirra gulbalanha

By Paul Girrawah House
Ceremony

Ceremony Curator's Letter

By Hetti Perkins
Ceremony

Dylan River

By Kelli Cole
Know My Name

Two of a kind

By Georgina Safe
Stories from the Collection Study Room
A life in pictures

By Deborah Hart
Summer Scholarship

By Adriane Boag
The American Connection

By Michael Maher
At the Cutting Edge

By Sarina Noordhuis-Fairfax
Jeffrey and Me

By Bruce Beresford
Blue poles: a new perspective

By David Wise

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Two of the national gallery's curators discussing paintings on the portrait wall at the entrance to the know my name exhibition

National Gallery On Demand

It's a portrait image of Urs Fischer from in front and below, so he's looking at his phone. Not yet melted enough to have any dripping wax bits

ARTONVIEW Magazine

Two Artonview magazines stacked on top of each other on a wooden table next to a glass vase

Virtual Tours

Two people wearing virtual reality headsets sit opposite each other in an art installation

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Yuuma, Gurruburri

The National Gallery acknowledges the Ngunnawal and Ngambri peoples, the Traditional Custodians of the Kamberri/Canberra region, and recognises their continuous connection to culture, community and Country.

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The National Gallery acknowledges the First Peoples of this land and recognises their continuous connection to culture, community and Country

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