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Stories & Ideas

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  • First Nations work of art detail of painted black hollow logs on display in dark exhibition space
    Article

    Our Culture is Alive

    By Frances Rrikili

  • Essay

    A Woman's Work

    By Dr Kate McMillan

  • Studio Visit

    Things Seen

    By Tegan Bennett Daylight

  • Essay

    Your World is About to Change

    By Precious Adesina

  • Q&A

    Ten Questions with Jordan Wolfson

    By National Gallery

  • The artist Frank Stella stands with a cigar in hand bemusedly tilting his head as he interogates his recent masterpieces in print. Nearby the master printer Kenneth Tyler muses on the quality of the paper on which he has printed. His gigantic mustache seems to weigh him down heavily, judging by his posture.
    In Conversation

    Reflections on a life in print: Kenneth Tyler in conversation

    By David Greenhalgh

  • Young Writers

    In Conversation: Muesli the Band

    By National Gallery Youth Council

  • A picture of Jenny Kee in a brightly coloured knit jumper.
    Studio Visit

    Jenny Kee

    By Emma Joyce, Broadsheet Content Partnership

  • In Conversation

    The Curator Series

    By National Gallery

  • Article

    National Gallery recognises launch of Digital Benin

    By National Gallery

  • Feature

    Australian Art

    By National Gallery

  • Black rotary telephone with circular wheel finger dial with lobster claw as a the handset
    Feature

    Surrealism revolution

    By Keren Nicholson

  • Essay

    A Moment in Time

    By Elspeth Pitt

  • Photograph of man sitting and woman standing looking at artmaking
    Article

    Art & Friends

    By Adriane Boag

  • Four women in cocktail atire stand in front of a brightly coloured painting by Diena Georgetti
    Article

    The Exhibitionists

    By National Gallery

  • Young Writers

    Contemporary Resonances of Art in the Age of AIDS

    By Aisyah Aaqil Sumito

  • Young man sitting on red carpeted amphitheatre watching a video installation
    Young Writers

    ASSEMBLY: an annotation

    By Hen Vaughan

  • Tony Albert works in his studio.
    Studio Visit

    Tony Albert

    By Matt Shea, Broadsheet Content Partnership

  • Young Writers

    A Modern Approach to Exhibiting Costume

    By Michelle Guo

  • Photo Essay

    Growing a Sculpture Garden

    By National Gallery

  • Feature

    Ever Present: First Peoples Art of Australia

    By Tina Baum

  • Feature

    Touring the collection

    By National Gallery

  • Young Writers

    Is social media affecting how we engage with art?

    By Aisyah Aaqil Sumito

  • Artist Lola Greeno stands in front of a rock at Low Head beach, Tasmania.
    Photo Essay

    Lola Greeno: Reviving the art of shell necklace making

    By Lola Greeno

  • Q&A

    Walk in their shoes

    By National Gallery

  • Photo of installation artwork of material hanging off chair
    Young Writers

    Deborah Prior: On the third day

    By Hen Vaughan

  • Image of HOME|LAND exhibition
    Young Writers

    HOME|LAND

    By Jade Irvine

  • Feature

    A surrealist, a forger and the return of ancestral remains

    By Crispin Howarth

  • White gallery walls feature a small painting machine device in the top right hand corner. Black ink paint is sprayed across the white wall.
    Feature

    Love machine

    By Lucina Ward

  • Feature

    Emily Kam Kngwarray

    By Kelli Cole

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Stories & Ideas

Two of the national gallery's curators discussing paintings on the portrait wall at the entrance to the know my name exhibition

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National Gallery On Demand

It's a portrait image of Urs Fischer from in front and below, so he's looking at his phone. Not yet melted enough to have any dripping wax bits

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The Annual

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Two people wearing virtual reality headsets sit opposite each other in an art installation

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Yuuma, Gurruburri

The National Gallery acknowledges the Ngunnawal and Ngambri peoples, the Traditional Custodians of the Kamberri/Canberra region, and recognises their continuous connection to culture, community and Country.

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Opening Acknowledgment of Country

The National Gallery acknowledges the First Peoples of this land and recognises their continuous connection to culture, community and Country

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